Descripción del título
The antique memory and the ...
This volume was born from a desire to leave a tangible trace of the scholarly encounters that have taken place in the past two years at the Center for Early Medieval Studies of the Department of Art History at Masaryk University in Brno. Speaking in various forums Xavier Barral i Altet, Nicolas Bock, Valentina Cantone, Herbert Kessler, Serena Romano and Elisabetta Scirocco have sparked exciting discussions of what continues to be known as a Middle Age. The common denominator that unites all of the scholarly work presented was the dialogue between the medieval "present" and the antique world: from Venice through Campania to Milan, from Constantinople to Burgundy, there emerged an intellectual and visual experience that suggests the medieval period was a uniquely fertile moment for engagement with the heritage of antiquity, filtered and mediated in different ways, but ever present. The purpose of this volume is to understand why and how patterns, images and ideas from the mythical (but visible) ancient past were received throughout the medieval millennium. We seek, that is, to understand why, hic et nunc, clients and workshops deliberately chose to speak in a "classicizing" aesthetic language, or to appropriate concepts belonging to the antique tradition wholesale
Monografía
monografia Rebiun15976663 https://catalogo.rebiun.org/rebiun/record/Rebiun15976663 990625s2015 it 000 0 eng d 9788867281572 UNAV The antique memory and the Middle ages edited by Ivan Foletti and Zuzana Frantová Roma Brno Viella Masaryk University 2015 Roma Brno Roma Brno Viella Masaryk University 76 p. il. 24 cm 76 p. I libri di Viella. Arte Studia artium medievalium Brunensia 2 This volume was born from a desire to leave a tangible trace of the scholarly encounters that have taken place in the past two years at the Center for Early Medieval Studies of the Department of Art History at Masaryk University in Brno. Speaking in various forums Xavier Barral i Altet, Nicolas Bock, Valentina Cantone, Herbert Kessler, Serena Romano and Elisabetta Scirocco have sparked exciting discussions of what continues to be known as a Middle Age. The common denominator that unites all of the scholarly work presented was the dialogue between the medieval "present" and the antique world: from Venice through Campania to Milan, from Constantinople to Burgundy, there emerged an intellectual and visual experience that suggests the medieval period was a uniquely fertile moment for engagement with the heritage of antiquity, filtered and mediated in different ways, but ever present. The purpose of this volume is to understand why and how patterns, images and ideas from the mythical (but visible) ancient past were received throughout the medieval millennium. We seek, that is, to understand why, hic et nunc, clients and workshops deliberately chose to speak in a "classicizing" aesthetic language, or to appropriate concepts belonging to the antique tradition wholesale Arte medieval Civilización y cultura medieval- Influencia clásica Arte griego- Influencia Arte romano- Influencia Foletti, Ivan Frantová, Zuzana I libri di Viella. Arte (Masaryk University)