Descripción del título
Dance Notations and Robot M...
How and why to write a movement? Who is the writer? Who is the reader? They may be choreographers working with dancers. They may be roboticists programming robots. They may be artists designing cartoons in computer animation. In all such fields the purpose is to express an intention about a dance, a specific motion or an action to perform, in terms of intelligible sequences of elementary movements, as a music score that would be devoted to motion representation. Unfortunately there is no universal language to write a motion. Motion languages live together in a Babel tower populated by biomechanists, dance notators, neuroscientists, computer scientists, choreographers, roboticists. Each community handles its own concepts and speaks its own language. The book accounts for this diversity. Its origin is a unique workshop held at LAAS-CNRS in Toulouse in 2014. Worldwide representatives of various communities met there. Their challenge was to reach a mutual understanding allowing a choreographer to access robotics concepts, or a computer scientist to understand the subtleties of dance notation. The liveliness of this multidisciplinary meeting is reflected by the book thank to the willingness of authors to share their own experiences with others
Monografía
monografia Rebiun17508799 https://catalogo.rebiun.org/rebiun/record/Rebiun17508799 cr c||||||||| 151124s2016 gw o 001 0 eng d 9783319257396 978-3-319-25739-6 10.1007/978-3-319-25739-6 doi UEM 85127 UPVA 996883057403706 UAM 991007838723204211 UCAR 991007917984704213 CBUC 991004878042706711 CBUC 991010469087106709 UPCT u569557 UR0395363 UAL. spa. UAL. rdc TJFM1 bicssc TEC037000 bisacsh TEC004000 bisacsh 629.892 23 Dance Notations and Robot Motion edited by Jean-Paul Laumond, Naoko Abe 1st ed. 2016 Cham Springer International Publishing Imprint: Springer 2016 Cham Cham Springer International Publishing Imprint: Springer 1 recurso en línea 1 recurso en línea X, 430 p. 268 illus., 100 illus. in color X, 430 p. 268 illus., 100 illus. in color Springer Tracts in Advanced Robotics 1610-7438 111 Springer eBooks How and why to write a movement? Who is the writer? Who is the reader? They may be choreographers working with dancers. They may be roboticists programming robots. They may be artists designing cartoons in computer animation. In all such fields the purpose is to express an intention about a dance, a specific motion or an action to perform, in terms of intelligible sequences of elementary movements, as a music score that would be devoted to motion representation. Unfortunately there is no universal language to write a motion. Motion languages live together in a Babel tower populated by biomechanists, dance notators, neuroscientists, computer scientists, choreographers, roboticists. Each community handles its own concepts and speaks its own language. The book accounts for this diversity. Its origin is a unique workshop held at LAAS-CNRS in Toulouse in 2014. Worldwide representatives of various communities met there. Their challenge was to reach a mutual understanding allowing a choreographer to access robotics concepts, or a computer scientist to understand the subtleties of dance notation. The liveliness of this multidisciplinary meeting is reflected by the book thank to the willingness of authors to share their own experiences with others Modo de acceso: World Wide Web Engineering Artificial intelligence Sports sciences Computational intelligence Robotics Automation Biomedical engineering Engineering Robotics and Automation Biomedical Engineering Computational Intelligence Sport Science Artificial Intelligence (incl. Robotics) Libros electrónicos Recursos electrónicos Laumond, Jean-Paul. editor Abe, Naoko editor SpringerLink (Online service) Springer Tracts in Advanced Robotics 1610-7438 111