Descripción del título

Blues singer, preacher, cultural critic, exile, Africadian, high modernist, spoken word artist, Canadian poet-these are but some of the voices of George Elliott Clarke. In a selection of Clarke's best work from his early poetry to his most recent, Blues and Bliss: The Poetry of George Elliott Clarke offers readers an impressive cross-section of those voices. Jon Paul Fiorentino's introduction focuses on this polyphony, his influences-Derek Walcott, Amiri Baraka, and the canon of literary English from Shakespeare to Yeats-and his "voice throwing," and shows how the intersections here produce a.
Monografía
monografia Rebiun19137036 https://catalogo.rebiun.org/rebiun/record/Rebiun19137036 m o d cr cn||||||||| 081001s2008 onc ob 000 p eng 9781554582341 1554582342 UAM 991008026835304211 CaOONL eng pn GPRCL OCLCQ E7B OCLCQ EBLCP MHW CELBN FXR MERUC OCLCQ IDEBK P@U OCLCF OCLCO OCLCQ OCLCO COO OCLCO YDXCP OCLCO OCLCQ OCLCO OCLCQ NT UNAV C811/.54 Clarke, George Elliott 1960-) Blues and bliss Recurso electrónico] the poetry of George Elliott Clarke selected with an introduction by Jon Paul Fiorentino ; and an afterword by George Elliott Clarke Waterloo, Ont. Wilfrid Laurier University Press 2008 Waterloo, Ont. Waterloo, Ont. Wilfrid Laurier University Press xvii, 66 p. xvii, 66 p. EBSCO Academic eBook Collection Complete Laurier poetry series Incluye referencias bibliográficas Table of Contents; Foreword; Biographical Note; Introduction; Salvation Army Blues; Halifax Blues; Hammonds Plains African Baptist Church; Campbell Road Church; Watercolour for Negro Expatriates in France; Look Homeward, Exile; The Wisdom of Shelley; The River Pilgrim: A Letter; Blank Sonnet; The Symposium; Rose Vinegar; Blues for X; Vision of Justice; Chancy's Menu; Chancy's Drinking Song; Beatrice's Defence; George & Rue: Pure, Virtuous Killers; Ballad of a Hanged Man; Child Hood I; Child Hood II; Hard Nails; Public Enemy; The Killing; Trial I; Trial II; Avowals; Negation Blues singer, preacher, cultural critic, exile, Africadian, high modernist, spoken word artist, Canadian poet-these are but some of the voices of George Elliott Clarke. In a selection of Clarke's best work from his early poetry to his most recent, Blues and Bliss: The Poetry of George Elliott Clarke offers readers an impressive cross-section of those voices. Jon Paul Fiorentino's introduction focuses on this polyphony, his influences-Derek Walcott, Amiri Baraka, and the canon of literary English from Shakespeare to Yeats-and his "voice throwing," and shows how the intersections here produce a. Forma de acceso: World Wide Web Fiorentino, Jon Paul