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Duke Ellington (1899-1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington's influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in jazz studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies
Monografía
monografia Rebiun23738344 https://catalogo.rebiun.org/rebiun/record/Rebiun23738344 m |o d | cr |n||||||||| 190912s2017 enkag ob 001 0deng d 9781139028226 1139028227 9780521764049 0521764041 NhCcYBP eng NhCcYBP UNAV 781.65092 23 Duke Ellington studies edited by John Howland Cambridge, United Kingdom New York, NY Cambridge University Press 2017 Cambridge, United Kingdom New York, NY Cambridge, United Kingdom New York, NY Cambridge University Press 1 recurso electrónico 1 recurso electrónico Text txt rdacontent computer c rdamedia. online resource cr rdacarrier. CUP ebooks Cambridge composer studies Series statement from publisher's Web site Incluye referencias bibliográficas e índice Ellington the entertainer: pageantry and prophecy in Duke Ellington's films / Phil Ford -- Marketing to the middlebrow: reconsidering Ellingtonia, the legacy of early Ellington criticism, and the idea of a serious jazz composer / John Howland -- Art or debauchery?: the reception of Ellington in the U.K. / Catherine Tackley -- Nobody was looking: the unparalleled jazz piano legacy of Duke Ellington / Bill Dobbins -- People wrap their lunches in them: Duke Ellington and his written music manuscripts / Walter Van de Leur -- The moor's revenge: the politics of Such sweet thunder / David Schiff -- Duke Ellington in the LP era / Gabriel Solis -- Authentic synthetic hybrid: Ellington's concepts of Africa and its music / Carl Woideck -- The mother of all albums: revisiting Ellington's A drum is a woman / John Wriggle Duke Ellington (1899-1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington's influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in jazz studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies Forma de acceso: World Wide Web Howland, John 1964-)