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Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative
Monografía
monografia Rebiun26452237 https://catalogo.rebiun.org/rebiun/record/Rebiun26452237 m|||||o||d|||||||| cu#uuu---auuuu 200229t20192020ne fo d z eng d 94-6372-491-5 10.5117/9789463724913 doi UPVA 998208672203706 UAM 991007868253704211 UPM 991006032121804212 UCAR 991008039812304213 CBUC 991004061094306713 CBUC 991009422672106719 CBUC 991000700241806712 CBUC 991003508187806714 CBUC 991010346062506709 CBUC 991012516465906708 CBUC 991010346062506709 CUNEF 991000370620508131 DE-B1597 eng DE-B1597 rda eng ne NL The Aesthetics of Global Protest Visual Culture and Communication Aidan McGarry, Itir Erhart, Hande Eslen-Ziya, Olu Jenzen, Umut Korkut Amsterdam Amsterdam University Press [2019] Amsterdam Amsterdam Amsterdam University Press 2020 1 online resource (300) 1 online resource (300) Protest and Social Movements Includes bibliographical references and index Frontmatter -- Table of Contents -- List of Figures and Tables -- Acknowledgements -- Preface: Devisualize Mirzoeff, Nicholas. -- Introduction: The Aesthetics of Global Protest : Visual Culture and Communication McGarry, Aidan / Erhart, Itir / Eslen-Ziya, Hande / Jenzen, Olu / Korkut, Umut. -- Part I: Performance, Art and Politics -- 1 Queer Visual Activism in South Africa Lewin, Tessa. -- 2 The Use of Visibility in Contentious Events in Northern Ireland Hayward, Katy / Komarova, Milena. -- 3 Maybe, We Will Benefit from Our Neighbour's Good Fortune : An Exhibition on Collectivity, Community, and Dialogue in Turkey Eğrikavuk, Işl. -- 4 Political Street Art in Social Mobilization : A Tale of Two Protests in Argentina Ryan, Holly Eva. -- 5 Archiving Dissent : (Im)material Trajectories of Political Street Art in Istanbul and Athens Tulke, Julia. -- 6 The Introvert's Protest : Handwriting the Constitution and the Performance of Politics O'Hara, Morgan / McGarry, Aidan. -- Part II: Visual Activism and Digital Culture -- 7 Photography and Protest in Israel/Palestine : The Activestills Online Archive Faulkner, Simon. -- 8 Drones, Cinema, and Protest in Thailand Viernes, Noah. -- 9 Bearing Witness to Authoritarianism and Commoning through Video Activism and Political Film-making after the Gezi Protests Özdüzen, Özge. -- 10 Music Videos as Protest Communication: The Gezi Park Protest on YouTube Jenzen, Olu / Erhart, Itir / Eslen-Ziya, Hande / Güçdemir, Derya / Korkut, Umut / McGarry, Aidan. -- 11 The Activist Chroniclers of Occupy Gezi : Counterposing Visibility to Injustice Mercea, Dan / Levy, Helton. -- 12 When Twitter Got #woke : Black Lives Matter, DeRay McKesson, Twitter, and the Appropriation of the Aesthetics of Protest Vis, Farida / Faulkner, Simon / Noble, Safiya Umoja / Guy, Hannah. -- Part III: Conclusion -- 13 Conclusion : Reflections on Protest and Political Transformation since 1789 Aulich, Jim. -- Index Open Access. Unrestricted online access star Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative This eBook is made available Open Access under a CC BY-NC-ND 3.0 license https://creativecommons.org/licenses/by-nc-nd/3.0https://www.aup.nl/en/publish/open-access English Erhart, Itir editor. edt. http://id.loc.gov/vocabulary/relators/edt Eslen-Ziya, Hande editor. edt. http://id.loc.gov/vocabulary/relators/edt Jenzen, Olu editor. edt. http://id.loc.gov/vocabulary/relators/edt Korkut, Umut editor. edt. http://id.loc.gov/vocabulary/relators/edt McGarry, Aidan editor. edt. http://id.loc.gov/vocabulary/relators/edt 90-485-4450-5 Protest and social movements