Descripción del título
"Images and Power: Rock Art and Ethics addresses the distinctive ways in which ethical considerations pertain to rock art research within the larger context of the archaeological ethical debate. Marks on stone, with their social and religious implications, give rise to distinctive ethical concerns within the scholarly enterprise as different perceptions between scholars and Native Americans are encountered in regard to worldviews, concepts of space, time, and in the interpretation of the imagery itself. This discourse addresses issues such as the conflicting paradigms of oral traditions and archaeological veracity, differing ideas about landscapes in which rock art occurs, the intrusion of "desired knowledge", and how the past may be robbed by changing interpretations and values on both sides. Case studies are presented in regard to shamanism and war-related imagery. Also addressed are issues surrounding questions of art, aesthetics, and appropriation of imagery by outsiders. Overall, this discourse attempts to clarify points of contention between Euro-American scholars and Native Americans so that we can better recognize the origins of differences and thus promote better mutual understanding in these endeavors."--Web del editor
Monografía
monografia Rebiun02942807 https://catalogo.rebiun.org/rebiun/record/Rebiun02942807 120907s2013 xxua b 001 0 eng d 2012950768 9781461458210 1461458218 BTCTA. BTCTA. YDXCP. BWX. CDX. OCLCO. OIP. MUU. OHX. YAM. TOZ. ZCU. SKYRV. BUS 174/.9301 23 Schaafsma, Polly Images and power rock art and ethics Polly Schaafsma New York, NY Springer c2013 New York, NY New York, NY Springer xii, 104 p. il. 23 cm xii, 104 p. SpringerBriefs in anthropology. Springerbriefs in anthropology and ethics 2195-0806 Incluye referencias bibliográficas (p. 87-100) e índice Ethics and worldviews -- The interpretation game and ways of knowing the past -- Robbing and reinventing the nonmaterial past -- The use and reuse of imagery : ownership, banning, and commodification -- Discussion "Images and Power: Rock Art and Ethics addresses the distinctive ways in which ethical considerations pertain to rock art research within the larger context of the archaeological ethical debate. Marks on stone, with their social and religious implications, give rise to distinctive ethical concerns within the scholarly enterprise as different perceptions between scholars and Native Americans are encountered in regard to worldviews, concepts of space, time, and in the interpretation of the imagery itself. This discourse addresses issues such as the conflicting paradigms of oral traditions and archaeological veracity, differing ideas about landscapes in which rock art occurs, the intrusion of "desired knowledge", and how the past may be robbed by changing interpretations and values on both sides. Case studies are presented in regard to shamanism and war-related imagery. Also addressed are issues surrounding questions of art, aesthetics, and appropriation of imagery by outsiders. Overall, this discourse attempts to clarify points of contention between Euro-American scholars and Native Americans so that we can better recognize the origins of differences and thus promote better mutual understanding in these endeavors."--Web del editor Pinturas rupestres- Aspecto religioso Grabados rupestres- Aspecto religioso Pinturas rupestres- Temas Grabados rupestres- Temas Arte indio de América- América del Norte- Temas SpringerBriefs in anthropology. Anthropology and ethics