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'Racialized Beauty': The Ug...

'Racialized Beauty': The Ugly Duckling in Toni Morrison's "God Help the Child"

Ediciones Complutense 2017-11-27

InGod Help the Child, Toni Morrison's latest novel, set in our contemporary times, her oeuvre seems to have come full circle when she revisits the main themes she dealt with inThe Bluest Eye, child abuse and aesthetics relativism. Like her prime novel, her latest narrative is a modern-day fairy tale, a re-interpretation of Hans Christian Andersen's story "The Ugly Duckling". Morrison shows how destructive hegemonic female beauty standards and materialistic values are for black females. Lula Ann, like Pecola, their protagonists, illustrate racialized beauty and how African Americans have been colonized by white cultural definitions of beauty, even when the notion "black is beautiful" is commodified. InGod Help the Child, Morrison devaluates the myth of racialized beauty and materialism, stressing the need to find your own definitions and self-worth. Like "The Ugly Duckling", Morrison's latest novel is a powerful and inspirational metaphor about transformation and self-discovery. At the end ofGod Help the Child, the signs of hope inThe Bluest Eye become an almost fairy-tale ending in Lula Ann's cathartic journey, her love story and pregnancy

EnGod Help the Child, la última novela de Toni Morrison, ambientada en nuestra época, su obra parece cerrar un círculo cuando la escritora re-examina los principales temas de su primera novela,The Bluest Eye, abusos infantiles y el relativismo estético. Como su primera novela, su última narrativa es un cuento de hadas moderno, una reinterpretación de la historia de Hans Christian Andersen, "El patito feo." Morrison muestra el efecto destructivo de los cánones hegemónicos de belleza femenina blanca y los valores puramente materiales en las mujeres negras. Lula Ann y Pecola, las protagonistas deGod Help the Child yThe Bluest Eye, respectivamente, ilustran la racialización de la belleza y como los afroamericanos han sido colonizados por los patrones estéticos culturales occidentales, incluso cuando el concepto "lo negro es bello" se mercantiliza. EnGod Help the Child, Morrison devalúa el mito de la belleza racializada y el materialismo, enfatizando la necesidad de encontrar tus propias definiciones y valía personal. Como en "El patito feo", la última novela de Morrison es una metáfora poderosa e inspiradora sobre la transformación y el autodescubrimiento. Al final deGod Help the Child, las señales de esperanza que aparecen enThe Bluest Eye se convierten en un final casi de cuento de hadas en el viaje catártico de Lula Ann, su historia amorosa y su embarazo

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analitica Rebiun29076061 https://catalogo.rebiun.org/rebiun/record/Rebiun29076061 200221s2017 xx o 000 0 eng d https://revistas.ucm.es/index.php/CJES/article/view/55255 10.5209/CJES.55255 S9M S9M dc 'Racialized Beauty': The Ugly Duckling in Toni Morrison's "God Help the Child" electronic resource] 'Belleza Racializada': El Patito Feo en la novela God Help the Child de Toni Morrison Ediciones Complutense 2017-11-27 Ediciones Complutense application/pdf Open access content. Open access content star InGod Help the Child, Toni Morrison's latest novel, set in our contemporary times, her oeuvre seems to have come full circle when she revisits the main themes she dealt with inThe Bluest Eye, child abuse and aesthetics relativism. Like her prime novel, her latest narrative is a modern-day fairy tale, a re-interpretation of Hans Christian Andersen's story "The Ugly Duckling". Morrison shows how destructive hegemonic female beauty standards and materialistic values are for black females. Lula Ann, like Pecola, their protagonists, illustrate racialized beauty and how African Americans have been colonized by white cultural definitions of beauty, even when the notion "black is beautiful" is commodified. InGod Help the Child, Morrison devaluates the myth of racialized beauty and materialism, stressing the need to find your own definitions and self-worth. Like "The Ugly Duckling", Morrison's latest novel is a powerful and inspirational metaphor about transformation and self-discovery. At the end ofGod Help the Child, the signs of hope inThe Bluest Eye become an almost fairy-tale ending in Lula Ann's cathartic journey, her love story and pregnancy EnGod Help the Child, la última novela de Toni Morrison, ambientada en nuestra época, su obra parece cerrar un círculo cuando la escritora re-examina los principales temas de su primera novela,The Bluest Eye, abusos infantiles y el relativismo estético. Como su primera novela, su última narrativa es un cuento de hadas moderno, una reinterpretación de la historia de Hans Christian Andersen, "El patito feo." Morrison muestra el efecto destructivo de los cánones hegemónicos de belleza femenina blanca y los valores puramente materiales en las mujeres negras. Lula Ann y Pecola, las protagonistas deGod Help the Child yThe Bluest Eye, respectivamente, ilustran la racialización de la belleza y como los afroamericanos han sido colonizados por los patrones estéticos culturales occidentales, incluso cuando el concepto "lo negro es bello" se mercantiliza. EnGod Help the Child, Morrison devalúa el mito de la belleza racializada y el materialismo, enfatizando la necesidad de encontrar tus propias definiciones y valía personal. Como en "El patito feo", la última novela de Morrison es una metáfora poderosa e inspiradora sobre la transformación y el autodescubrimiento. Al final deGod Help the Child, las señales de esperanza que aparecen enThe Bluest Eye se convierten en un final casi de cuento de hadas en el viaje catártico de Lula Ann, su historia amorosa y su embarazo English literature of the United States white aesthetics; mental colonization; African Americans; racialized beauty; shadism estética blanca; colonización mental; afroamericanos; belleza racializada; colorismo info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion López Ramírez, Manuela. cre Complutense Journal of English Studies; Vol 25 (2017); 173-189 Complutense Journal of English Studies; Vol 25 (2017); 173-189 Complutense Journal of English Studies; Vol 25 (2017); 173-189 Complutense Journal of English Studies; Vol. 25 (2017); 173-189 2386-3935 https://revistas.ucm.es/index.php/CJES/article/view/55255/52476 /*ref*/Ahmad, Soophia (2008). Women Who Make a Man: Female Protagonists in Toni Morrison's Song of Solomon. Atenea 28.2: 59-73 /*ref*/Andersen, H. Christian (1909-14). The Ugly Duckling. The Harvard Classics, 17 April. (Accessed May 3 2014) /*ref*/Awkward, Michael (1988). Roadblocks and Relatives: Critical Revision in Toni Morrison's The Bluest Eye. In N. Y. McKay and Kathryn Earle, eds., 57-68 /*ref*/Awkward, Michael (1989). "The Evil of Fulfilment": Scapegoating and Narration in The Bluest Eye. In H. L. Jr. Gates and K. A. Appiah, eds., 175-209 /*ref*/Bakerman, Jane S. (1981). Failures of Love: Female Initiation in the Novels of Toni Morrison. American Literature 52.4: 541-63 /*ref*/Bartky, Sandra (1988). Foucault, Femininity, and the Modernisation of Patriarchal Power. In I. Diamond and L. Quinby Boston, eds., 61-85 /*ref*/Bettelheim, Bruno (1975). The Uses of Enchantment. New York: Knopf /*ref*/Bhabha, Homei K. 1995. Introduction. Nation and Narration. London: Routledge /*ref*/Bloom, Harold, ed. (1990). Modern Critical Views Toni Morrison. New York and Philadelphia: Chelsea House /*ref*/Bowers, Maggie Ann (2004). Magic(al) Realism: The New Critical Idiom. London Routledge /*ref*/Brand, Peg Z. (2000). Beauty Matters. Bloomington: Indiana UP /*ref*/Brinig, Margaret F. and Buckley F. H. (1999). Parental Rights and the Ugly Duckling. Scholarly Works: 41-65 /*ref*/Brown, L. S. (1995). Not Outside the Range: One Feminist Perspective on Psychic Trauma. In C. Caruth, ed., 100-113 /*ref*/Caruth, Cathy, ed. (1995). Trauma: Explorations in Memory. Baltimore: Johns Hopkins UP /*ref*/Davis, Cynthia (1990). Self, Society and Myth in Toni Morrison's Fiction. In Bloom, H., ed., 7-25 /*ref*/Diamond, I. and L. Quinby Boston, eds. (1988). Feminism and Foucault: Reflections on Resistance. Boston: Northeastern UP /*ref*/Dubey, Madhu (1994). Black Women Novelists and the National Aesthetic. Bloomington and Indianapolis: Indiana UP /*ref*/Erikson, Kai (1976). Everything in its Path: Destruction of Buffalo Creek. NY: Simon & Schuster /*ref*/Erikson, Kai (1995). Notes on Trauma and Community. In Caruth, C., ed., 183-199 /*ref*/Evans, Mari (1984). Black Women Writers 1950-1980. New York: Anchor. 339-345. Print /*ref*/Evaristo, Bernardine (2015). God Help the Child Toni Morrison Continues to Improve with Age. The Guardian, 19 April. (Accessed July 13 2015) /*ref*/Fanon, Frantz (2008). (1967; rpt) Black Skin, White Masks. London: Pluto Press /*ref*/Gates, Henry L., Jr. and Kwame A. Appiah, eds. (1989). Toni Morrison: Critical Perspectives Past and Present. New York: Columbia UP /*ref*/Gay, Roxane (2015). God Help the Child by Toni Morrison-'Incredibly Powerful.' The Guardian, 29 April. (Accessed May 5 2015) /*ref*/Grewal, Gurleen (1998). Circles of Sorrow, Lines of Struggle. Baton Rouge, LA: Louisiana State UP /*ref*/Halprin, Sara (1995). 'Look at My Ugly Face!': Myths and Muslins on Beauty and Other Perilous Obsessions with Women's Appearance. New York and London: Viking Penguin /*ref*/Harris, Trudier (1991). Fiction and Folklore: The Novels of Toni Morrison. Knoxville, TN: Tennessee UP /*ref*/Hart, Stephen M., and Wen-Chin Ouyang, ed. (2005). Companion to Magical Realism. Chippenham, UK: Tamesis /*ref*/Higgins, Kathleen (2000). Beauty and Its Kitsch Competitors. In P. Brand, ed., 87-111 /*ref*/Hoby, Hermione (2015). Toni Morrison: 'I'm Writing for Black People ... I Don't Have to Apologise'. The Guardian (25 April). (Accessed June 17 2015) /*ref*/hooks, bell (1992). Black Looks: Race and Representation. Boston: South End /*ref*/Hunter, Margaret (2005). Race, Gender, and the Politics of Skin Tone. New York: Routledge /*ref*/Hwangbo, Kyeong (2004). Trauma, Narrative, and the Marginal Self in Selected Contemporary American Novels. Diss. University of Florida /*ref*/Iqbal, Razia (2015). God Help the Child by Toni Morrison: Pain and Trauma under the Skin. Independent (9 April). (Accessed June 11 2015) /*ref*/Jensen, Karen (2013). Toni Morrison's Depiction of Beauty Standards in Relation to Class, Politics of Respectability, and Consumerism in Song of Solomon. University of New Orleans Theses and Dissertations. Paper 1743 /*ref*/Laing, Ronald (1990). (1959; rpt.) The Divided Self. New York: Penguin Books /*ref*/LeClair, Tom (2015). Toni Morrison Spins a Lame Fairy Tale. The Daily Beast, 18 April. (Accessed June 23 2015) /*ref*/McKay, Nelly Y., ed. (1988). Critical Essays on Toni Morrison. Boston: G. K. Hall & Co /*ref*/McKay, Nelly Y. and Kathryn Earle, eds. (1997). Approaches to Teaching the Novels of Toni Morrison. New York, NY: MLA /*ref*/Morrison, Toni (1970). The Bluest Eye. New York: Holt, Rinehart, and Winston /*ref*/Morrison, Toni (1977). Song of Solomon. New York: Alfred Knopf /*ref*/Morrison, Toni (1981). Tar Baby. New York: Alfred Knopf /*ref*/Morrison, Toni 1984). Rootedness: The Ancestor as Foundation. In Evans, Mari, ed., 339-345 /*ref*/Morrison, Toni (2015). God Help the Child. New York: Alfred Knopf /*ref*/Myles, Anita (2006). Feminism and the Post-Modern Indian Women Novelists in English. New Delhi: Sarup & Sons /*ref*/Pérez-Torres, Rafael (1997). Tracing and Erasing: Race and Pedagogy in The Bluest Eye. In McKay, N. Y. and K. Earle, eds., 21-26. Philyaw, Deesha (2015). God Help the Child: Toni Morrison's 11th novel revisits themes of The Bluest Eye, her First. Pittsburgh Post-Gazette, 19 April. (Accessed August 21 2015) /*ref*/Pistelli, John (2015). Toni Morrison, God Help the Child. Wordpress, 24 April. https://johnpistelli.wordpress.com/2015/04/24/toni-morrison-god-help-the-child/ (Accessed 14 August 2015) /*ref*/Samuels, Wilfred and Clenora, Hudson-Weems (1999). Twayne's United States authors series online. New York: G. K. Hall & Co /*ref*/Scholes, Lucy (2015). Toni Morrison's God Help the Child. BBC Culture, 21 April. http://www.bbc.com/culture/story/20150421-review-toni-morrisons-new-novel (Accessed May 7 2015)

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analitica Rebiun29076061 https://catalogo.rebiun.org/rebiun/record/Rebiun29076061 200221s2017 xx o 000 0 eng d https://revistas.ucm.es/index.php/CJES/article/view/55255 10.5209/CJES.55255 S9M S9M dc 'Racialized Beauty': The Ugly Duckling in Toni Morrison's "God Help the Child" electronic resource] 'Belleza Racializada': El Patito Feo en la novela God Help the Child de Toni Morrison Ediciones Complutense 2017-11-27 Ediciones Complutense application/pdf Open access content. Open access content star InGod Help the Child, Toni Morrison's latest novel, set in our contemporary times, her oeuvre seems to have come full circle when she revisits the main themes she dealt with inThe Bluest Eye, child abuse and aesthetics relativism. Like her prime novel, her latest narrative is a modern-day fairy tale, a re-interpretation of Hans Christian Andersen's story "The Ugly Duckling". Morrison shows how destructive hegemonic female beauty standards and materialistic values are for black females. Lula Ann, like Pecola, their protagonists, illustrate racialized beauty and how African Americans have been colonized by white cultural definitions of beauty, even when the notion "black is beautiful" is commodified. InGod Help the Child, Morrison devaluates the myth of racialized beauty and materialism, stressing the need to find your own definitions and self-worth. Like "The Ugly Duckling", Morrison's latest novel is a powerful and inspirational metaphor about transformation and self-discovery. At the end ofGod Help the Child, the signs of hope inThe Bluest Eye become an almost fairy-tale ending in Lula Ann's cathartic journey, her love story and pregnancy EnGod Help the Child, la última novela de Toni Morrison, ambientada en nuestra época, su obra parece cerrar un círculo cuando la escritora re-examina los principales temas de su primera novela,The Bluest Eye, abusos infantiles y el relativismo estético. Como su primera novela, su última narrativa es un cuento de hadas moderno, una reinterpretación de la historia de Hans Christian Andersen, "El patito feo." Morrison muestra el efecto destructivo de los cánones hegemónicos de belleza femenina blanca y los valores puramente materiales en las mujeres negras. Lula Ann y Pecola, las protagonistas deGod Help the Child yThe Bluest Eye, respectivamente, ilustran la racialización de la belleza y como los afroamericanos han sido colonizados por los patrones estéticos culturales occidentales, incluso cuando el concepto "lo negro es bello" se mercantiliza. EnGod Help the Child, Morrison devalúa el mito de la belleza racializada y el materialismo, enfatizando la necesidad de encontrar tus propias definiciones y valía personal. Como en "El patito feo", la última novela de Morrison es una metáfora poderosa e inspiradora sobre la transformación y el autodescubrimiento. Al final deGod Help the Child, las señales de esperanza que aparecen enThe Bluest Eye se convierten en un final casi de cuento de hadas en el viaje catártico de Lula Ann, su historia amorosa y su embarazo English literature of the United States white aesthetics; mental colonization; African Americans; racialized beauty; shadism estética blanca; colonización mental; afroamericanos; belleza racializada; colorismo info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion López Ramírez, Manuela. cre Complutense Journal of English Studies; Vol 25 (2017); 173-189 Complutense Journal of English Studies; Vol 25 (2017); 173-189 Complutense Journal of English Studies; Vol 25 (2017); 173-189 Complutense Journal of English Studies; Vol. 25 (2017); 173-189 2386-3935 https://revistas.ucm.es/index.php/CJES/article/view/55255/52476 /*ref*/Ahmad, Soophia (2008). Women Who Make a Man: Female Protagonists in Toni Morrison's Song of Solomon. Atenea 28.2: 59-73 /*ref*/Andersen, H. Christian (1909-14). The Ugly Duckling. The Harvard Classics, 17 April. (Accessed May 3 2014) /*ref*/Awkward, Michael (1988). Roadblocks and Relatives: Critical Revision in Toni Morrison's The Bluest Eye. In N. Y. McKay and Kathryn Earle, eds., 57-68 /*ref*/Awkward, Michael (1989). "The Evil of Fulfilment": Scapegoating and Narration in The Bluest Eye. In H. L. Jr. Gates and K. A. Appiah, eds., 175-209 /*ref*/Bakerman, Jane S. (1981). Failures of Love: Female Initiation in the Novels of Toni Morrison. American Literature 52.4: 541-63 /*ref*/Bartky, Sandra (1988). Foucault, Femininity, and the Modernisation of Patriarchal Power. In I. Diamond and L. Quinby Boston, eds., 61-85 /*ref*/Bettelheim, Bruno (1975). The Uses of Enchantment. New York: Knopf /*ref*/Bhabha, Homei K. 1995. Introduction. Nation and Narration. London: Routledge /*ref*/Bloom, Harold, ed. (1990). Modern Critical Views Toni Morrison. New York and Philadelphia: Chelsea House /*ref*/Bowers, Maggie Ann (2004). Magic(al) Realism: The New Critical Idiom. London Routledge /*ref*/Brand, Peg Z. (2000). Beauty Matters. Bloomington: Indiana UP /*ref*/Brinig, Margaret F. and Buckley F. H. (1999). Parental Rights and the Ugly Duckling. Scholarly Works: 41-65 /*ref*/Brown, L. S. (1995). Not Outside the Range: One Feminist Perspective on Psychic Trauma. In C. Caruth, ed., 100-113 /*ref*/Caruth, Cathy, ed. (1995). Trauma: Explorations in Memory. Baltimore: Johns Hopkins UP /*ref*/Davis, Cynthia (1990). Self, Society and Myth in Toni Morrison's Fiction. In Bloom, H., ed., 7-25 /*ref*/Diamond, I. and L. Quinby Boston, eds. (1988). Feminism and Foucault: Reflections on Resistance. Boston: Northeastern UP /*ref*/Dubey, Madhu (1994). Black Women Novelists and the National Aesthetic. Bloomington and Indianapolis: Indiana UP /*ref*/Erikson, Kai (1976). Everything in its Path: Destruction of Buffalo Creek. NY: Simon & Schuster /*ref*/Erikson, Kai (1995). Notes on Trauma and Community. In Caruth, C., ed., 183-199 /*ref*/Evans, Mari (1984). Black Women Writers 1950-1980. New York: Anchor. 339-345. Print /*ref*/Evaristo, Bernardine (2015). God Help the Child Toni Morrison Continues to Improve with Age. The Guardian, 19 April. (Accessed July 13 2015) /*ref*/Fanon, Frantz (2008). (1967; rpt) Black Skin, White Masks. London: Pluto Press /*ref*/Gates, Henry L., Jr. and Kwame A. Appiah, eds. (1989). Toni Morrison: Critical Perspectives Past and Present. New York: Columbia UP /*ref*/Gay, Roxane (2015). God Help the Child by Toni Morrison-'Incredibly Powerful.' The Guardian, 29 April. (Accessed May 5 2015) /*ref*/Grewal, Gurleen (1998). Circles of Sorrow, Lines of Struggle. Baton Rouge, LA: Louisiana State UP /*ref*/Halprin, Sara (1995). 'Look at My Ugly Face!': Myths and Muslins on Beauty and Other Perilous Obsessions with Women's Appearance. New York and London: Viking Penguin /*ref*/Harris, Trudier (1991). Fiction and Folklore: The Novels of Toni Morrison. Knoxville, TN: Tennessee UP /*ref*/Hart, Stephen M., and Wen-Chin Ouyang, ed. (2005). Companion to Magical Realism. Chippenham, UK: Tamesis /*ref*/Higgins, Kathleen (2000). Beauty and Its Kitsch Competitors. In P. Brand, ed., 87-111 /*ref*/Hoby, Hermione (2015). Toni Morrison: 'I'm Writing for Black People ... I Don't Have to Apologise'. The Guardian (25 April). (Accessed June 17 2015) /*ref*/hooks, bell (1992). Black Looks: Race and Representation. Boston: South End /*ref*/Hunter, Margaret (2005). Race, Gender, and the Politics of Skin Tone. New York: Routledge /*ref*/Hwangbo, Kyeong (2004). Trauma, Narrative, and the Marginal Self in Selected Contemporary American Novels. Diss. University of Florida /*ref*/Iqbal, Razia (2015). God Help the Child by Toni Morrison: Pain and Trauma under the Skin. Independent (9 April). (Accessed June 11 2015) /*ref*/Jensen, Karen (2013). Toni Morrison's Depiction of Beauty Standards in Relation to Class, Politics of Respectability, and Consumerism in Song of Solomon. University of New Orleans Theses and Dissertations. Paper 1743 /*ref*/Laing, Ronald (1990). (1959; rpt.) The Divided Self. New York: Penguin Books /*ref*/LeClair, Tom (2015). Toni Morrison Spins a Lame Fairy Tale. The Daily Beast, 18 April. (Accessed June 23 2015) /*ref*/McKay, Nelly Y., ed. (1988). Critical Essays on Toni Morrison. Boston: G. K. Hall & Co /*ref*/McKay, Nelly Y. and Kathryn Earle, eds. (1997). Approaches to Teaching the Novels of Toni Morrison. New York, NY: MLA /*ref*/Morrison, Toni (1970). The Bluest Eye. New York: Holt, Rinehart, and Winston /*ref*/Morrison, Toni (1977). Song of Solomon. New York: Alfred Knopf /*ref*/Morrison, Toni (1981). Tar Baby. New York: Alfred Knopf /*ref*/Morrison, Toni 1984). Rootedness: The Ancestor as Foundation. In Evans, Mari, ed., 339-345 /*ref*/Morrison, Toni (2015). God Help the Child. New York: Alfred Knopf /*ref*/Myles, Anita (2006). Feminism and the Post-Modern Indian Women Novelists in English. New Delhi: Sarup & Sons /*ref*/Pérez-Torres, Rafael (1997). Tracing and Erasing: Race and Pedagogy in The Bluest Eye. In McKay, N. Y. and K. Earle, eds., 21-26. Philyaw, Deesha (2015). God Help the Child: Toni Morrison's 11th novel revisits themes of The Bluest Eye, her First. Pittsburgh Post-Gazette, 19 April. (Accessed August 21 2015) /*ref*/Pistelli, John (2015). Toni Morrison, God Help the Child. Wordpress, 24 April. https://johnpistelli.wordpress.com/2015/04/24/toni-morrison-god-help-the-child/ (Accessed 14 August 2015) /*ref*/Samuels, Wilfred and Clenora, Hudson-Weems (1999). Twayne's United States authors series online. New York: G. K. Hall & Co /*ref*/Scholes, Lucy (2015). Toni Morrison's God Help the Child. BBC Culture, 21 April. http://www.bbc.com/culture/story/20150421-review-toni-morrisons-new-novel (Accessed May 7 2015)