Descripción del título
Art, global Maoism and the ...
This is the first book to explore the global influence of Maoism on modern and contemporary art. Featuring eighteen original essays written by established and emerging scholars from around the world, and illustrated with fascinating images not widely known in the west, the volume demonstrates the significance of visuality in understanding the protean nature of this powerful worldwide revolutionary movement. Contributions address regions as diverse as Singapore, Madrid, Lima and Maputo, moving beyond stereotypes and misconceptions of Mao Zedong Thought's influence on art to deliver a survey of the social and political contexts of this international phenomenon. At the same time, the book attends to the the similarities and differences between each case study. It demonstrates that the chameleonic appearances of global Maoism deserve a more prominent place in the art history of both the twentieth and twenty-first centuries
Monografía
monografia Rebiun30728610 https://catalogo.rebiun.org/rebiun/record/Rebiun30728610 190325t20202020xxka 001 0 eng d 1526117460 9781526117465 UAM 991008135655204211 YDX eng rda YDX CDX YDXIT OCLCF UAM.FL rda Art, global Maoism and the Chinese cultural revolution edited by Jacopo Galimberti, Noemi de Haro García and Victoria H. F. Scott Manchester Manchester University Press 2020 Manchester Manchester Manchester University Press 2020 xix, 356 páginas ilustraciones 25 cm xix, 356 páginas Texto rdacontent Imagen Fija rdacontent sin mediación rdamedia volumen rdacarrier Rethinking art's histories Bibliografía e índice This is the first book to explore the global influence of Maoism on modern and contemporary art. Featuring eighteen original essays written by established and emerging scholars from around the world, and illustrated with fascinating images not widely known in the west, the volume demonstrates the significance of visuality in understanding the protean nature of this powerful worldwide revolutionary movement. Contributions address regions as diverse as Singapore, Madrid, Lima and Maputo, moving beyond stereotypes and misconceptions of Mao Zedong Thought's influence on art to deliver a survey of the social and political contexts of this international phenomenon. At the same time, the book attends to the the similarities and differences between each case study. It demonstrates that the chameleonic appearances of global Maoism deserve a more prominent place in the art history of both the twentieth and twenty-first centuries Mao, Zedong- Influencia Comunismo- Arte Arte Historia contemporánea Galimberti, Jacopo editor Haro García, Noemí de editor Scott, Victoria H, F. editor