Descripción del título
"El cometa Halley": uma ret...
This study aimed to analyze the oppression of women in the play La casa de Bernarda Alba (1936) written by the Spanish playwright Federico García Lorca and in the short story "El Cometa Halley" (1986) written by the Cuban writer Reinaldo Arenas. Regarding that in the short story, "El Cometa Halley", Arenas suggests a new end to the play written by García Lorca, this work aimed to understand to what extent some mechanisms of repression and oppression are repeated in both literary works. To do so, it was carried out an analysis of each work and a comparative analysis as well. It was verified that in both works the oppressed repeated with other people the oppression they suffered generating a certain vicious cycle of oppression. Besides, in the play by García Lorca as well as in the short story by Arenas, Adela is a character that stands out for her dissonant voice: in the play, she claims the autonomy over her body and desires and in the short story, she is the voice raised to remember and denounce the injustices lived under maternal subjugation
Este estudo buscou analisar a opressão às mulheres na peça La casa de Bernarda Alba (1936), de García Lorca e no conto "El Cometa Halley" (1986), de Reinaldo Arenas. Tendo em vista que, no conto "El Cometa Halley", Reinaldo Arenas propõe um novo final para a peça de García Lorca, buscou-se compreender em que medida alguns mecanismos de repressão e opressão se repetem nas duas obras literárias. Verificou-se, nas duas obras, que os oprimidos repetem com outras pessoas a opressão que sofrem, gerando uma espécie de círculo vicioso da opressão
Analítica
analitica Rebiun31396825 https://catalogo.rebiun.org/rebiun/record/Rebiun31396825 220904s2018 xx o 000 0 por d https://dialnet.unirioja.es/servlet/oaiart?codigo=6752389 (Revista) ISSN 2036-0967 S9M oai:dialnet.unirioja.es:ART0001304695 https://dialnet.unirioja.es/oai/OAIHandler 23 DGCNT S9M S9M dc "El cometa Halley": uma retomada de La casa de Bernarda Alba electronic resource] 2018 application/pdf Open access content. Open access content star This study aimed to analyze the oppression of women in the play La casa de Bernarda Alba (1936) written by the Spanish playwright Federico García Lorca and in the short story "El Cometa Halley" (1986) written by the Cuban writer Reinaldo Arenas. Regarding that in the short story, "El Cometa Halley", Arenas suggests a new end to the play written by García Lorca, this work aimed to understand to what extent some mechanisms of repression and oppression are repeated in both literary works. To do so, it was carried out an analysis of each work and a comparative analysis as well. It was verified that in both works the oppressed repeated with other people the oppression they suffered generating a certain vicious cycle of oppression. Besides, in the play by García Lorca as well as in the short story by Arenas, Adela is a character that stands out for her dissonant voice: in the play, she claims the autonomy over her body and desires and in the short story, she is the voice raised to remember and denounce the injustices lived under maternal subjugation Este estudo buscou analisar a opressão às mulheres na peça La casa de Bernarda Alba (1936), de García Lorca e no conto "El Cometa Halley" (1986), de Reinaldo Arenas. Tendo em vista que, no conto "El Cometa Halley", Reinaldo Arenas propõe um novo final para a peça de García Lorca, buscou-se compreender em que medida alguns mecanismos de repressão e opressão se repetem nas duas obras literárias. Verificou-se, nas duas obras, que os oprimidos repetem com outras pessoas a opressão que sofrem, gerando uma espécie de círculo vicioso da opressão LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI Portuguese La casa de Bernarda Alba "El Cometa Halley" opression García Lorca Reinaldo Arenas La casa de Bernarda Alba "El Cometa Halley" opressão García Lorca Reinaldo Arenas text (article) Loureiro Andreta, Bárbara. cre Ferrari Montemezzo, Luciana. cre Confluenze: Rivista di Studi Iberoamericani, ISSN 2036-0967, Vol. 10, Nº. 2, 2018 (Ejemplar dedicado a: Violencia estatal, persecutoria, ideologías, terrorismo de estado y genocidio), pags. 411-434 Confluenze: Rivista di Studi Iberoamericani, ISSN 2036-0967, Vol. 10, Nº. 2, 2018 (Ejemplar dedicado a: Violencia estatal, persecutoria, ideologías, terrorismo de estado y genocidio), pags. 411-434 Confluenze: Rivista di Studi Iberoamericani, ISSN 2036-0967, Vol. 10, Nº. 2, 2018 (Ejemplar dedicado a: Violencia estatal, persecutoria, ideologías, terrorismo de estado y genocidio), pags. 411-434