Descripción del título
Song Is Not the Same : Jews...
This volume of the Casden Institute's The Jewish Role in American Life annual series introduces new scholarship on the long-standing relationship between Jewish-Americans and the worlds of American popular music. Edited by scholar and critic Josh Kun, the essays in the volume blend single-artist investigations with looks at the industry of music making as a whole. They range from Jewish sheet music to the risqué musical comedy of Belle Barth and Pearl Williams, from the role of music in the shaping of Henry Ford's anti-Semitism to Bob Dylan's Jewishness, from the hybridity of the contemporary "Radical Jewish Culture" scene to the Yiddish experiments of 1930s African-American artists. Contents: Foreword (Gayle Wald); Introduction (Josh Kun); "Cohen Owes Me Ninety-Seven Dollars, and other Tales from the Jewish Sheet- Music Trade" (Jody Rosen); "'Dances Partake of the Racial Characteristics of the People Who Dance Them' : Nordicism, Antisemitism, and Henry Ford's Old Time Music and Dance Revival" (Peter La Chapelle); "Ovoutie Slanguage is Absolutely Kosher: Yiddish in Scat- Singing, Jazz Jargon, and Black Music" (Jonathan Z. S. Pollack); "'If I Embarrass You, Tell Your Friends' : Belle Barth, Pearl Williams, and the Space of the Risque" (Josh Kun); "'Here's a foreign song I learned in Utah' : The Anxiety of Jewish Influence in the Music of Bob Dylan" (David Kaufman); "Jazz Liturgy, Yiddishe Blues, Cantorial Death Metal, and Free Klez: Musical Hybridity in Radical Jewish Culture" (Jeff Janeczco)
Monografía
monografia Rebiun32847356 https://catalogo.rebiun.org/rebiun/record/Rebiun32847356 m o d cr |||||||nn|n 101015s2011 inu o 000 0 eng d 1371773768 9781557535863 9781612496757 161249675X 1557535868 1557535868 P@U eng P@U AUD UAB SFB YWS (2 Song Is Not the Same Jews and American Popular Music Bruce Zuckerman, editor ; Josh Kun, guest editor ; Lisa Ansell, associate editor West Lafayette, Ind. Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life 2011 West Lafayette, Ind. West Lafayette, Ind. Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life Baltimore, Md. Project MUSE 0000 Baltimore, Md. Baltimore, Md. Project MUSE 2011 1 online resource (182 pages) illustrations 1 online resource (182 pages) Text txt rdacontent computer c rdamedia online resource cr rdacarrier The Jewish role in American life : an annual review 1934-7529 v. 8 Dreaming of Michael Jackson : notes on Jewish listening Gayle Wald. -- "Cohen owes me ninety-seven dollars" : images of Jews from the Jewish sheet-music trade Jody Rosen. -- "Dances partake of the racial characteristics of the people who dance them" : Nordicism, antisemitism, and Henry Ford's old-time music and dance revival Peter La Chapelle. -- "Ovoutie slanguage is absolutely Kosher" : Yiddish in scat-singing, jazz jargon, and Black music Jonathan Z.S. Pollack. -- "If I embarrass you, tell your friends" : the musical comedy of Bell Barth and Pearl Williams Josh Kun. -- "Here's a foreign song I learned in Utah" : the anxiety of Jewish influence in the music of Bob Dylan David Kaufman. -- Negotiating boundaries : musical hybridity in Tzadik's radical Jewish culture series Jeff Janeczko This volume of the Casden Institute's The Jewish Role in American Life annual series introduces new scholarship on the long-standing relationship between Jewish-Americans and the worlds of American popular music. Edited by scholar and critic Josh Kun, the essays in the volume blend single-artist investigations with looks at the industry of music making as a whole. They range from Jewish sheet music to the risqué musical comedy of Belle Barth and Pearl Williams, from the role of music in the shaping of Henry Ford's anti-Semitism to Bob Dylan's Jewishness, from the hybridity of the contemporary "Radical Jewish Culture" scene to the Yiddish experiments of 1930s African-American artists. Contents: Foreword (Gayle Wald); Introduction (Josh Kun); "Cohen Owes Me Ninety-Seven Dollars, and other Tales from the Jewish Sheet- Music Trade" (Jody Rosen); "'Dances Partake of the Racial Characteristics of the People Who Dance Them' : Nordicism, Antisemitism, and Henry Ford's Old Time Music and Dance Revival" (Peter La Chapelle); "Ovoutie Slanguage is Absolutely Kosher: Yiddish in Scat- Singing, Jazz Jargon, and Black Music" (Jonathan Z. S. Pollack); "'If I Embarrass You, Tell Your Friends' : Belle Barth, Pearl Williams, and the Space of the Risque" (Josh Kun); "'Here's a foreign song I learned in Utah' : The Anxiety of Jewish Influence in the Music of Bob Dylan" (David Kaufman); "Jazz Liturgy, Yiddishe Blues, Cantorial Death Metal, and Free Klez: Musical Hybridity in Radical Jewish Culture" (Jeff Janeczco) English Popular music- United States- History and criticism Popular music- United States- Jewish influences Musique populaire- États-Unis- Histoire et critique Popular music- Jewish influences. Popular music. Social & cultural history. United States. Social & cultural history Criticism, interpretation, etc. Ansell, Lisa Kun, Josh Zuckerman, Bruce USC Casden Institute for the Study of the Jewish Role in American Life Project Muse. distributor 1-55753-586-8 Book collections on Project MUSE