Descripción del título
Anell de pedra. La Comella,...
El dia que vam transportar des de Reus les roques que formen l'Anell de pedra i les vam installar a La Comella (Tarragona), la veu em va marxar i vaig conèixer en profunditat el valor de la fatiga. Llavors no podia parlar però vaig pensar que cada pedra tenia una identitat i des de llavors totes elles formarien una idea: ara penso que és el moment oportú per a presentar l'observació...
The day when the rocks, which form the Stone ring, were moved from Reus and installed in La Comella (Tarragona), the voice left and I deeply get to know the value of fatigue. I could not talk then but I realized that each one of the stones had an identity and that since that moment all them together will form an idea: now it is the right moment to present the observation....
Analítica
analitica Rebiun32962585 https://catalogo.rebiun.org/rebiun/record/Rebiun32962585 230421s2015 xx o 000 0 spa d https://dialnet.unirioja.es/servlet/oaiart?codigo=4994573 (Revista) ISSN 2014-8992 S9M oai:dialnet.unirioja.es:ART0000748556 https://dialnet.unirioja.es/oai/OAIHandler 22 DGCNT S9M S9M dc Anell de pedra. La Comella, 1976-2001. Rufino Mesa electronic resource] 2015 application/pdf Open access content. Open access content star El dia que vam transportar des de Reus les roques que formen l'Anell de pedra i les vam installar a La Comella (Tarragona), la veu em va marxar i vaig conèixer en profunditat el valor de la fatiga. Llavors no podia parlar però vaig pensar que cada pedra tenia una identitat i des de llavors totes elles formarien una idea: ara penso que és el moment oportú per a presentar l'observació... The day when the rocks, which form the Stone ring, were moved from Reus and installed in La Comella (Tarragona), the voice left and I deeply get to know the value of fatigue. I could not talk then but I realized that each one of the stones had an identity and that since that moment all them together will form an idea: now it is the right moment to present the observation.... LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI Spanish text (article) Mesa Vázquez, Rufino. cre BRAC: Barcelona, Research, Art Creation, ISSN 2014-8992, Vol. 3, Nº. 1, 2015 (Ejemplar dedicado a: Febrero), pags. 1-12 BRAC: Barcelona, Research, Art Creation, ISSN 2014-8992, Vol. 3, Nº. 1, 2015 (Ejemplar dedicado a: Febrero), pags. 1-12 BRAC: Barcelona, Research, Art Creation, ISSN 2014-8992, Vol. 3, Nº. 1, 2015 (Ejemplar dedicado a: Febrero), pags. 1-12