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The Routledge International...
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monografia Rebiun35501034 https://catalogo.rebiun.org/rebiun/record/Rebiun35501034 m o d cr |n|---||||| 191123s2019 xx o 000 0 eng d 1289822972 9780429015304 0429015305 9780429015298 e-book) 0429015291 9781138581296 hbk.) EBLCP eng pn EBLCP UKAHL OCLCQ REDDC OCLCO OCLCL Lewi, Hannah The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites Milton Routledge 2019 Milton Milton Routledge 1 online resource (521 pages) 1 online resource (521 pages) Text txt rdacontent computer c rdamedia online resource cr rdacarrier Routledge International Handbooks Ser Not everything is digitised Cover; Half Title; Series Page; Title Page; Copyright Page; Table of Contents; List of contributors; Introduction; Part I: the emerging global digital GLAM sector; Part II: animating the archive; Part III: designing engaged experiences; Part IV: locating in place; Note; References; Framing interviews; 1. Interview with Seb Chan; Interviewed by Hannah Lewi and Wally Smith; Notes; 2. Interview with Dave Patten; Interviewed by Wally Smith and Dirk vom Lehn; The Sketchbot, the Science Museum, 2013; 3. Interview with Rory Hyde; Interviewed by Dirk vom Lehn and Wally Smith The Future Starts Here exhibition 2018, V 4. Interview with Keir Winesmith; Interviewed by Hannah Lewi and Wally Smith; Notes; References; PART I: The emerging global digital GLAM sector; 5. Theorising heritage collection digitisations in global computational infrastructures; Introduction; Breaking the material, immaterial binary: the first theoretical move; The parent and the digitisation as related, overlapping, non-identical assemblages: thesecond theoretical move; Digitisations as ecological compositions in global computational infrastructures: the third theoretical move Users and curatorial agency as more-than- and other-than-human ecological alliancesConclusions; References; 6. The networked image: the flight of cultural authority and the multiple times and spaces of the art museum; Introduction; What happens in the space of the museum?; The digital as tool; The digital as medium; The academy and the condition of knowledge; The networked image and the digital condition; The post-digital perspective; The museum's audience and the paradoxical present; Contemporaneity, modernism and heritage; Technological obsolescence What is at stake: the art museum in the age of the AnthropoceneReferences; 7. The distributed museum is already here: it's just not very evenly distributed; Three descriptions of the distributed museum; Five further digital dialectics; Change v. transformation; Tradition v. design; Hierarchy v. network (or arborescence v. rhizome); Literacy v. fluency; Values v. culture; Conclusion; Notes; References; 8. Speculative collections and the emancipatory library; Notes; References 9. Digital heritage profile in China's museums: an evaluation of digital technology adoption in cultural heritage institutionsIntroduction; What is the point of the augmented experience in cultural heritage institutions?; The development of AR and VR technologies in Westerncultural institutions; Technological enhancement in the Chinese museum; Categories of digital technologies mentioned in the questions; Findings; Conclusion; References; 10. Hacking heritage: understanding the limits of online access; The promise of online access; The limits of online access; Search engines lie Museum exhibits- Technological innovations Objets exposés- Innovations Smith, Wally Vom Lehn, Dirk Cooke, Steven Print version Lewi, Hannah. Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites. Milton : Routledge, 2019 9781138581296 Routledge International Handbooks Ser