Descripción del título
Five directors : auteurism ...
Auteurism - the idea that a director of a film is its source of meaning and should retain creative control over the finished product - has been one of film studies' most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term auteur by Andrew Sarris.Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne borthers, Michael Haneke and Francois Ozon, this book looks into how the meaning of 'auteur' has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism.This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts
Analítica
analitica Rebiun36609278 https://catalogo.rebiun.org/rebiun/record/Rebiun36609278 m o d 001 0 cr#mu#nnnuuuuu 181127t20192008xxk|||| obq|| 001 0 eng|d 1-5261-4139-6 10.7765/9781526141392 doi UkMaJRU rda eng xxk GB-BST Five directors auteurism from Assayas to Ozon edited by Kate Ince 1st ed Manchester, UK Manchester University Press 2019 Manchester, UK Manchester, UK Manchester University Press 2008 1 online resource (viii, 157 pages) digital, PDF file(s) 1 online resource (viii, 157 pages) Manchester Film Studies French Film Directors Series Includes bibliographical references, filmographies and index Series Editors' Foreword --Acknowledgements --Introduction / Kate Ince --1. Olivier Assayas and The Cinema of Catastrophe / Paul Sutton --2. Jacques Audiard: Contesting Filiations / Julia Dobson --3. Ethics in The Ruin of Politics: The Dardenne Brothers / Martin O'shaughnessy --4. Close Encounters with Distant Suffering: Michael Haneke's Disarming Visions / Libby Saxton --5. François Ozon's Cinema of Desire / Kate Ince --Conclusion / Kate Ince --Filmographies --Index Auteurism - the idea that a director of a film is its source of meaning and should retain creative control over the finished product - has been one of film studies' most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term auteur by Andrew Sarris.Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne borthers, Michael Haneke and Francois Ozon, this book looks into how the meaning of 'auteur' has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism.This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts In English Ince, Kate 0-7190-8641-8 0-7190-7431-2 French Film Directors