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"Presents nearly two hundred extraordinary pictures that tell stories of ordinary people engaged in commonplace tasks and pleasures. The first overview of the subject in thirty-five years, this richly illustrated volume features masterpieces by John Singleton Copley, Charles Willson Peale, William Sidney Mount, George Caleb Bingham, Winslow Homer, Thomas Eakins, John Singer Sargent, Mary Cassatt, John Sloan, and George Bellows, as well as notable examples by some of their key colleagues. These artists captured the temperament of their respective eras, describing and defining in their best works the character of Americans as individuals, citizens, and members of ever-widening communities from the decade before the Revolution to the eve of World War I. The authors--all distinguished curators and scholars--look at how painters told stories through their selections of settings, players, action, and various narrative devices. They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F.B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand. From 1860 to 1877, artists like Eastman Johnson, Homer, and Eakins responded to the Civil War and, going forward, encoded Reconstruction and the Centennial in pictures designed to help heal the nation's spirit. After the Centennial, Homer and Eakins--joined by colleagues who included William Merritt Chase, Sargent, Cassatt, Sloan, and Bellows--explored new subjects and narrative modes in the increasingly cosmopolitan age leading up to World War I. The result is a visually compelling account of the stories American artists chose to tell, how they told them, and how those stories have been read by observers over time"--Publisher's description
Monografía
monografia Rebiun36914667 https://catalogo.rebiun.org/rebiun/record/Rebiun36914667 m o d cr bn||||||abp cr bn||||||ada 101111s2009 nyua obc 001 0 eng d 664768500 1328589646 1424780599 9781588393364 Metropolitan Museum of Art (hc) 1588393364 Metropolitan Museum of Art (hc) 9781588393371 Metropolitan Museum of Art (pbk.) 1588393372 Metropolitan Museum of Art (pbk.) 9780300155082 Yale University Press (hc) 0300155085 Yale University Press (hc) OCLCE eng pn OCLCE OCLCQ OCLCA NOC OCLCQ OCLCO OCLCF OCLCO OCLCQ OCLCA ELW OCLCO OCLCQ OCLCO WTU OCLCO CLU OCLCQ OCLCO OCLCL OCLCO OCLCA OCLCL OCLCO OCLCL OCLCO dlr n-us--- 754.0973/0747471 22 American stories paintings of everyday life, 1765-1915 edited by H. Barbara Weinberg and Carrie Rebora Barratt ; essays by Carrie Rebora Barratt, Margaret C. Conrads, Bruce Robertson, and H. Barbara Weinberg Paintings of everyday life, 1765-1915 New York The Metropolitan Museum of Art New Haven Yale University Press [2009] New York New Haven New York The Metropolitan Museum of Art New Haven Yale University Press 2009 1 online resource (xviii, 222 pages) illustrations (chiefly color) 1 online resource (xviii, 222 pages) Text txt rdacontent Still Image sti rdacontent computer c rdamedia online resource cr rdacarrier Published in conjunction with an exhibition held at the Metropolitan Museum of Art, October 12, 2009-January 24, 2010, and at the Los Angeles County Museum of Art, February 28-May 23, 2010 Includes bibliographical references (pages 185-207) and index Inventing American stories, 1765-1830 Carrie Rebora Barratt. -- Stories for the public, 1830-1860 Bruce Robertson. -- Stories of war and reconciliation, 1860-1877 Margaret C. Conrads. -- Cosmopolitan and candid stories, 1877-1915 H. Barbara Weinberg Unrestricted online access star Use copy. Restrictions unspecified star. MiAaHDL "Presents nearly two hundred extraordinary pictures that tell stories of ordinary people engaged in commonplace tasks and pleasures. The first overview of the subject in thirty-five years, this richly illustrated volume features masterpieces by John Singleton Copley, Charles Willson Peale, William Sidney Mount, George Caleb Bingham, Winslow Homer, Thomas Eakins, John Singer Sargent, Mary Cassatt, John Sloan, and George Bellows, as well as notable examples by some of their key colleagues. These artists captured the temperament of their respective eras, describing and defining in their best works the character of Americans as individuals, citizens, and members of ever-widening communities from the decade before the Revolution to the eve of World War I. The authors--all distinguished curators and scholars--look at how painters told stories through their selections of settings, players, action, and various narrative devices. They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F.B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand. From 1860 to 1877, artists like Eastman Johnson, Homer, and Eakins responded to the Civil War and, going forward, encoded Reconstruction and the Centennial in pictures designed to help heal the nation's spirit. After the Centennial, Homer and Eakins--joined by colleagues who included William Merritt Chase, Sargent, Cassatt, Sloan, and Bellows--explored new subjects and narrative modes in the increasingly cosmopolitan age leading up to World War I. The result is a visually compelling account of the stories American artists chose to tell, how they told them, and how those stories have been read by observers over time"--Publisher's description Electronic reproduction. [Place of publication not identified] HathiTrust Digital Library 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Genre painting, American- Exhibitions Narrative painting, American- Exhibitions Manners and customs in art- Exhibitions Peinture de genre américaine- Expositions Peinture narrative américaine- Expositions Murs et coutumes dans l'art- Expositions Genre painting, American. Manners and customs in art. Narrative painting, American. United States- In art- Exhibitions United States. https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Exhibition exhibition catalogs. Art criticism. Exhibition catalogs. Exhibition catalogs. Art criticism. Exhibition catalogs. Critiques d'art. Catalogues d'exposition. Weinberg, H. Barbara Helene Barbara),) 1942-) editor contributor. https://id.oclc.org/worldcat/entity/E39PCjvmGjBQhRbqXMF4DvyQYP Barratt, Carrie Rebora editor contributor Robertson, Bruce 1955-) contributor. https://id.oclc.org/worldcat/entity/E39PCjJqcxBkykx3Rt4pCtJTDy Conrads, Margaret C. 1955-) contributor. https://id.oclc.org/worldcat/entity/E39PCjH84tWRKMYvGXRp8PqfFX Metropolitan Museum of Art (New York, N.Y.) https://id.oclc.org/worldcat/entity/E39QH7Jmp3B9cPfQvDkcFjCVxt Los Angeles County Museum of Art. https://id.oclc.org/worldcat/entity/E39QQPVp7V9VYbyMVDBBM9Xbtg Print version American stories. New York : Metropolitan Museum of Art ; New Haven : Yale University Press, 2009 (DLC) 2009026663 (OCoLC)326626424