Descripción del título
Issues of authenticity in C...
"Few issues in Chinese art and art history arouse the passions of scholars and the public as readily as debates about authenticity, especially when the work under scrutiny is as critically important as Riverbank, a painting The Metropolitan Museum of Art attributes to the tenth-century landscape master Dong Yuan (active 930s-60s). If either of these claims--that it is a product of the tenth century and is by the hand of Dong Yuan--is correct, Riverbank will call for the rewriting of early Chinese painting history. To support its belief in the veracity of the painting, the Museum recently published the book Along the Riverbank, a study of the documentation and the style of Riverbank that seeks to place the painting in its historical context. This volume, the result of an international symposium of the same name held on December 11, 1999, is published to give a thorough airing to the dissenting opinions about Riverbank held by some leading scholars in the field and to examine the methods by which scholars analyze and interpret Chinese paintings"-- Metropolitan Museum of Art website
Monografía
monografia Rebiun37427907 https://catalogo.rebiun.org/rebiun/record/Rebiun37427907 m o d cr bn||||||abp cr bn||||||ada 100413s1999 nyua ob 100 0 eng d 1077900723 1201262660 1414528259 0870999281 9780870999284 0300087748 9780300087741 OCLCE eng pn OCLCE OCLCQ OCLCA NOC OCLCQ ZCU OCLCQ OCLCF OCL YOU CLART OCLCQ OCLCO WTU OCLCO OCLCL dlr a-cc--- 759.951/09/021 21 Issues of authenticity in Chinese painting edited by Judith G. Smith and Wen C. Fong New York Department of Asian Art, Metropolitan Museum of Art [1999] New York New York Department of Asian Art, Metropolitan Museum of Art 1999 1 online resource (317 pages) illustrations 1 online resource (317 pages) Text txt rdacontent Still Image sti rdacontent computer c rdamedia online resource cr rdacarrier Published on the occasion of an international symposium of the same name, held at the Metropolitan Museum of Art December 11, 1999. The symposium was organized in conjunction with the exhibition 'The Artist as Collector : Masterpieces of Chinese Painting from the C.C. Wang Family Collection,' on view at the Metropolitan Museum of Art September 3, 1999 to January 9, 2000 Includes bibliographical references Foreword Judith G. Smith and Wen C. Fong. -- The Case Against Riverbank : An Indictment in Fourteen Counts James Cahill. -- Notes on the Recent History of Riverbank Hironobu Kohara. -- Riverbank : A Recent Effort in a Long Tradition Sherman Lee. -- On Paintings Attributed to Dong Yuan Qi Gong. -- A Comparative Physical Analysis of Riverbank and Two Zhang Daqian Forgeries Maxwell K. Hearn. -- Positioning Riverbank Shih Shou-chien. -- The Referee Must Have a Rule Book : Modern Rules for an Ancient Art Jerome Silbergeld. -- A Tall Pine and Daoist Immortal : An Examination of a Painting Attributed to Chen Hongshou Wan-go Weng. -- Du Jin's Enjoying Antiquities : A Problem in Connoisseurship Stephen Little. -- An Early Ming Example of Multiples : Two Versions of Elegant Gathering in the Apricot Garden Maxwell K. Hearn. -- Riverbank : From Connoisseurship to Art History Wen C. Fong. -- Connoisseurship: Seeing and Believing Robert E. Harrist, Jr Use copy. Restrictions unspecified star. MiAaHDL "Few issues in Chinese art and art history arouse the passions of scholars and the public as readily as debates about authenticity, especially when the work under scrutiny is as critically important as Riverbank, a painting The Metropolitan Museum of Art attributes to the tenth-century landscape master Dong Yuan (active 930s-60s). If either of these claims--that it is a product of the tenth century and is by the hand of Dong Yuan--is correct, Riverbank will call for the rewriting of early Chinese painting history. To support its belief in the veracity of the painting, the Museum recently published the book Along the Riverbank, a study of the documentation and the style of Riverbank that seeks to place the painting in its historical context. This volume, the result of an international symposium of the same name held on December 11, 1999, is published to give a thorough airing to the dissenting opinions about Riverbank held by some leading scholars in the field and to examine the methods by which scholars analyze and interpret Chinese paintings"-- Metropolitan Museum of Art website Electronic reproduction. [Place of publication not identified] HathiTrust Digital Library 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Dong, Yuan -962). Xi an tu-- Congresses Wang, Chi-ch�"ien- Art collections-- Congresses Dong, Yuan m. 962). Xi an tu.-- Congrès Dong, Yuan m. 962). Xi an tu Dong, Yuan m. 962.) Wang, Chi-ch�"ien- Collections d'art-- Congrès Wang, Chi-ch�"ien Wang, Chi-ch�"ien. https://id.oclc.org/worldcat/entity/E39PBJmdpp6f9FWrGyYvwTy68C Xi an tu (Dong, Yuan) Painting, Chinese- Expertising- Congresses Painting, Chinese- Collectors and collecting- Congresses Painting- Private collections- New York (State)- New York Peinture chinoise- Expertise- Congrès Peinture chinoise- Collectionneurs et collections- Congrès Peinture- Collections privées- New York (État)- New York Art- Private collections. Painting, Chinese- Collectors and collecting. Painting, Chinese- Expertising. Painting- Private collections. New York (State)- New York. https://id.oclc.org/worldcat/entity/E39QbtfRvQh7864Jh4rDGBFDWc proceedings (reports) Art criticism. Conference papers and proceedings. Conference papers and proceedings. Art criticism. Actes de congrès. Critiques d'art. Smith, Judith G. 1941-) editor. https://id.oclc.org/worldcat/entity/E39PCjHMQVJph9G7JvgrYdD76q Fong, Wen editor Metropolitan Museum of Art (New York, N.Y.). Department of Asian Art issuing body Print version Issues of authenticity in Chinese painting. New York : Dept. of Asian Art, Metropolitan Museum of Art, 1999 (DLC) 99052662 (OCoLC)42736271