Descripción del título
Women, art and the politics...
"This collection of new essays by specialist authors addresses women's activities as patrons and as 'patronized' artists over the course of the century. It provides a much needed examination, with admirable breadth and variety, of women's artistic production and patronage during the eighteenth century. By opening up the specific problems and conflicts inherent in women's artistic involvements from the perspective of what was at stake for the eighteenth-century women themselves, it also acts as a corrective to the generalizing and stereotyping about the prominence of those women, which is too often present in current day literature."--Jacket
Monografía
monografia Rebiun19245415 https://catalogo.rebiun.org/rebiun/record/Rebiun19245415 m o d cr cnu|||unuuu 170306s2016 enka ob 001 0deng d 9781351871730 1351871730 9781315233666 1315233665 UPVA 997924182303706 UAM 991008082559604211 CBUC 991001022542706712 CBUC 991010890395106709 NT eng pn NT IDEBK NT OCLCO ORU TYFRS UNAV 759.94/082 21 Women, art and the politics of identity in eighteenth-century Europe edited by Melissa Hyde, Jennifer Milam Abingdon, Oxon New York Routledge, Taylor and Francis Group 2016 Abingdon, Oxon New York Abingdon, Oxon New York Routledge, Taylor and Francis Group xviii, 310 p. il xviii, 310 p. EBSCO Academic eBook Collection Complete Women and gender in the early modern world "First published 2003 by Ashgate Publishing."-- Title page verso "An Ashgate Books."-- Cover Incluye referencias bibliográficas (p. 284-302) e índice Introduction:) Art, cultural politics and the woman question Melissa Hyde, Jennifer Milam. -- 'An ornament of Italy and the premier female painter of Europe': Rosalba Carriera and the Roman Academy Christopher M.S. Johns. -- Lovisa Ulrike of Sweden, Chardin and enlightened despotism Paula Rea Radisich. -- Practicing portraiture: Mademoiselle de Clermont and J.-M. Nattier Kathleen Nicholson. -- Commerce in the Boudoir Jill H. Casid. -- Matronage and the direction of sisterhood: portraits of Madame Adélaïde Jennifer Milam. -- Under the sign of Minerva: Adélaïde Labille-Guiard's Portrait of Madame Adélaïde Melissa Hyde. -- The cradle is empty: Élisabeth Vigée-Lebrun, Marie-Antoinette, and the problem of intention Mary D. Sheriff. -- Ancient matrons and modern patrons: Angelica Kauffman as a classical history painter Wendy Wassyng Roworth. -- Angelica's odyssey: Kauffman's paintings of Penelope and the weaving of narrative Angela Rosenthal. -- The 'other Atelier': Jacques-Louis David's female students Mary Vidal. -- Goya's portraits of the Duchess of Osuna: fashioning identity in enlightenment Spain Andrew Schulz "This collection of new essays by specialist authors addresses women's activities as patrons and as 'patronized' artists over the course of the century. It provides a much needed examination, with admirable breadth and variety, of women's artistic production and patronage during the eighteenth century. By opening up the specific problems and conflicts inherent in women's artistic involvements from the perspective of what was at stake for the eighteenth-century women themselves, it also acts as a corrective to the generalizing and stereotyping about the prominence of those women, which is too often present in current day literature."--Jacket Forma de acceso: World Wide Web Milam, Jennifer Dawn 1968-) Hyde, Melissa