Descripción del título
Curator of ephemera at the ...
"Heid E. Erdrich writes from the recent present into the future where human anxiety lives. Many of her poems engage ekphrasis around the visual work of contemporary artists who, like Erdrich, make art around concepts of survival and apocalypse and are also Anishinaabe. Poems in this collection curate unmountable exhibits in not-yet-existent museums devoted to the ephemera of communication and recent but archaic technology. Erdrich points to extraction industries on indigenous lands in poems that recognize how our love of technology threatens our future. Despite centuries of cummunications technology, people fail to understand one another, and yet these poems show faith in the keen human yearning to connect as they urge engagement of the image, the moment, the sensual, and the real."--Back cover
Monografía
monografia Rebiun24501119 https://catalogo.rebiun.org/rebiun/record/Rebiun24501119 m o d cr |n||||||||| 170209s2017 miu s s000 p eng d 9781609175283 160917528X 9781611862461 1611862469 UAM 991008031905704211 YDX eng pn YDX OCLCO EBLCP OCLCQ P@U JSTOR MERUC OCLCF OTZ IOG UAB OCLCQ INT OCLCQ UKAHL NT UNAV 811/.54 Erdrich, Heid Ellen Curator of ephemera at the New Museum for Archaic Media Heid E. Erdrich East Lansing Michigan State University Press [2017] East Lansing East Lansing Michigan State University Press 1 recurso electrónico 1 recurso electrónico EBSCO Academic eBook Collection Complete American Indian studies series Permanent Installation; Curatorial Statement for Wiindigo Eye; The Honey Suckers; Autobiography as Gesture; Wireless Handshake; Undead Faerie Goes Great with India Pale Ale; Red Star; The Gig of Light; Boom; The Dark Sky Reserve; Hang Fire; These Are My Pearls, This Is My Swine; Pre-Occupied; Curatorial Statement for Apocalyptic Poetics; At the Anachronism Fair; Mix Tape as Didactic; Indigenous Elvis Works the Medicine Line; Rise Up Fallen; Mix Tape Didactic ... Hither; Charger; Incantation on a Frank Big Bear Collage; Little Spirit Will Not Be Caught; Exhibit A; Exhibit B-Bear Exhibit FCuratorial Note for Exhibit C; Exhibit Q-Q-Code Found Poem; Mix Tape Didactic ... Break Up 1; The Four Findings of Agent H; The Mother; The Woman; Four Women; Agent Blue; Mix Tape Didactic ... Break Up 2; Autobiography as Mix Tape for Lady Mon de Green; The New Archaic; The Buzz; Lexiconography 1/Clothes Pins; Aabjito'ikidowinan 1/Anishinaabe Language Lesson 1; Laundress; Shepherd; Dying Well; Lexiconography 2-It Was Cloudy; Aabjito'ikidowinan 2/Anishinaabe Language Lesson 2; What Gathers; Stars, Seeds, Signs, Ours; A Loud Green Dreaming Ombigwewe Ozhaawaashkwaa Bwaajige/Anishinaabemowin Lesson 3Manidoo Giizhikens/Little Spirit Cedar Tree; Curatorial Statement on The Long Gallery; Author's Notes; A Note about the Art; Acknowledgments "Heid E. Erdrich writes from the recent present into the future where human anxiety lives. Many of her poems engage ekphrasis around the visual work of contemporary artists who, like Erdrich, make art around concepts of survival and apocalypse and are also Anishinaabe. Poems in this collection curate unmountable exhibits in not-yet-existent museums devoted to the ephemera of communication and recent but archaic technology. Erdrich points to extraction industries on indigenous lands in poems that recognize how our love of technology threatens our future. Despite centuries of cummunications technology, people fail to understand one another, and yet these poems show faith in the keen human yearning to connect as they urge engagement of the image, the moment, the sensual, and the real."--Back cover Forma de acceso: World Wide Web