Descripción del título
Music and gender in English...
This book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum. Wong's analysis broadens our understanding of the general theatrical representation of music, or musical dramaturgy, and complicates the current discussion of musical portrayal and construction of gender during this period.Wong discusses dramaturgical meanings of music and its association with gender, love, and erotomania in Renaissance plays. The negotiation between the dichotom
Monografía
monografia Rebiun24644928 https://catalogo.rebiun.org/rebiun/record/Rebiun24644928 m o d | cr -n--------- 120518s2013 nyug ob 001 0 eng d 2012020061 0-203-08080-7 1-283-87145-9 1-136-16970-9 UPSA ELB133772 UPVA 997918472203706 CBUC 991010893376006709 CBUC 991001016015106712 UFV0704937 MiAaPQ MiAaPQ MiAaPQ eng 822.309 Wong, Katrine K. 1980-) Music and gender in English Renaissance drama electronic resource] Katrine K. Wong New York Routledge 2013 New York New York Routledge 1 online resource (233 p.) 1 online resource (233 p.) Text txt computer c online resource cr Routledge advances in theatre and performance studies 25 Routledge Advances in Theatre & Performance Studies Description based upon print version of record Includes bibliographical references and index Introduction -- "A damnd divel, or an angel?": music and women -- "Sing us a bawdy song, and make's merry": music and men -- "my heart is stolne out of my eare": music, love, and sex -- Conclusion This book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum. Wong's analysis broadens our understanding of the general theatrical representation of music, or musical dramaturgy, and complicates the current discussion of musical portrayal and construction of gender during this period.Wong discusses dramaturgical meanings of music and its association with gender, love, and erotomania in Renaissance plays. The negotiation between the dichotom English English drama- Early modern and Elizabethan, 1500-1600- History and criticism Sex role in literature Sex in literature Music in literature Electronic books 1-138-10840-5 0-415-80670-4 Routledge Advances in Theatre & Performance Studies