Descripción del título

Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years
Monografía
monografia Rebiun25663127 https://catalogo.rebiun.org/rebiun/record/Rebiun25663127 m|||||o||d|||||||| cr|||||||||||| 200225s2019||||nyu o ||1 0|eng|d 9781787447011 9781640140684 CBUC 991010753705606709 UkCbUP eng UkCbUP UNAV e-ge--- 791.43/611 23 Howes, Seth autor Moving images on the margins Recurso electrónico] experimental film in late socialist East Germany Seth Howes Rochester, New York Camden House 2019 Rochester, New York Rochester, New York Camden House 1 recurso electrónico (xiii, 265 p.) 1 recurso electrónico (xiii, 265 p.) Text txt rdacontent computer c rdamedia. online resource cr rdacarrier. CUP ebooks Screen cultures: German film and the visual Title from publisher's bibliographic system (viewed on 20 Mar 2020) Introduction: moving images on the margins -- Art, experimentation, and the avant-garde in East Germany -- Heraklesmaschine: Lutz Dammbeck's experimental cinema and the expropriation of the senses -- Lines of communication: mail art and the connectivity of experimental film -- Heart, horn, skin, shrine: film and the autoperforating body of/at work -- Film experiments, design anthropology, and the politics of vision: Yana Milev's Theory of practice -- Conclusion: images of moving margins Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years Forma de acceso: World Wide Web