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Opera Indigene : Re/present...
The representation of non-Western cultures in opera has long been a focus of critical inquiry, however, the diverse relationships between opera and First Nations and indigenous cultures have received less attention. Opera Indigene addresses the changing historical depictions of indigenous cultures in opera and the more contemporary hybridizations of the form by indigenous and First Nations artists. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada
Monografía
monografia Rebiun29574180 https://catalogo.rebiun.org/rebiun/record/Rebiun29574180 m o d cr |n|---||||| 110404s2011 xx ob 001 0 eng d 2010038450 715159240 742529738 961674317 962615783 988473628 992043346 994940632 1018386403 1037932712 1055390178 1063834431 1188965695 1228595447 1240536593 1249252507 1259249638 1260366082 1262686303 1272923153 9781409424062 1409424065 0754669890 hardcover ; alk. paper) 9780754669890 hardcover ; alk. paper) 9781315598970 electronic bk.) 1315598973 electronic bk.) 1317085426 9781317085423 1317085418 9781317085416 1283048051 9781283048057 9786613048059 6613048054 3636442 AU@ 000047429604 AU@ 000051558252 AU@ 000054178120 AU@ 000065183255 DEBBG BV043035206 DEBBG BV043786436 DEBBG BV044151304 DEBSZ 421518448 DEBSZ 47253498X NZ1 13874809 EBLCP eng pn EBLCP CGU IDEBK AU@ N$T OCLCQ OCLCF OCLCQ OCLCO OCL E7B YDXCP COF CDX COO OCLCQ AGLDB CPO MOR PIFAG YDX ZCU OTZ OCLCQ MERUC OCLCQ OCLCO K6U U3W LOA ICG STF UAB OCLCQ VTS INT VT2 REC OCLCQ DKC OCLCO OCLCQ UKAHL OCLCQ WYU LVT AJS SFB QGK MUS 028000 bisacsh s1zz rero Karantonis, Pamela Opera Indigene Re/presenting First Nations and Indigenous Cultures Farnham Ashgate Pub. 2011 Farnham Farnham Ashgate Pub. 1 online resource (386 pages) 1 online resource (386 pages) Text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda Ashgate Interdisciplinary Studies in Opera Includes bibliographical references and index Cover; Contents; List of Figures; List of Tables; List of Music Examples; Notes on Contributors; Series Editor's Preface; Acknowledgments; Introduction; Part I Critical and Comparative Contexts: Opera's Colonizing Force and Decolonizing Potential; 1 Orpheus Conquistador; 2 Decentering Opera: Early Twenty-First-Century Indigenous Production; 3 "Singing from The Margins": Postcolonial Themes in Voss and Waiting for the Barbarians; 4 Performativity, Mimesis, and Indigenous Opera; Part II Australian Perspectives 5 "To Didj or Not to Didj": Exploring Indigenous Representation in Australian Music Theater Works by Margaret Sutherland and An6 Giving Voice to the Un-voiced "Witch" and the "Heart of Nothingness": Moya Henderson's Lindy; 7 The Eighth Wonder: Explorations of Place and Voice; Part III Indianism in the Americas; 8 Indianismo in Brazilian Romantic Opera: Shifting Ideologies of National Foundation; 9 Native Songs, Indianist Styles, and the Processes of Music Idealization; 10 Composed and Produced in the American West, 1912-1913: Two Operatic Portrayals of First Nations Cultures Part IV Canadian Perspectives11 Assimilation, Integration and Individuation: The Evolution of First Nations Musical Citizenship in Canadian Opera; 12 "Too Much White Man In It": Aesthetic Colonization in Tzinquaw; 13 Peaceful Surface, Monstrous Depths: Barbara Pentland and Dorothy Livesay's The Lake; 14 The Politics of Genre: Exposing Historical Tensions in Harry Somers's Louis Riel; Part V New Creation and Collaborative Processes; 15 Creating Pimooteewin; 16 After McPhee: Evan Ziporyn's A House in Bali 17 West Coast First Peoples and The Magic Flute: Tracing the Journey of a Cross-Cultural Collaboration18 Pecan Summer: The Process of Making New Indigenous Opera in Australia; Bibliography; Index The representation of non-Western cultures in opera has long been a focus of critical inquiry, however, the diverse relationships between opera and First Nations and indigenous cultures have received less attention. Opera Indigene addresses the changing historical depictions of indigenous cultures in opera and the more contemporary hybridizations of the form by indigenous and First Nations artists. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada English Indigenous peoples in opera MUSIC- Genres & Styles- Ópera Indigenous peoples in opera Electronic books Robinson, Dylan Print version Karantonis, Pamela. Opera Indigene : Re/presenting First Nations and Indigenous Cultures. Farnham : Ashgate Publishing Ltd, 2011 9780754669890 Ashgate interdisciplinary studies in opera