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"#quéespoesía": género y nu...
Over the last few years, social networks such as Twitter, Instagram and Youtube have become popular platforms for the publication and diffusion of literary content among young authors to such an extent that many publishing houses have appreciated the opportunity to convert the number of followers into sales. This is revitalizing minority genres such as poetry. One needs to question, though, whether we are seeing a revival of traditional classical poetry or the birth of a new "internet" genre. To illustrate this literary controversy and the resulting business issues, a corpus of female authors has been selected to demonstrate that these new opportunities for exposure, the breaking of stereotypes should not go unnoticed
En los últimos años, redes sociales como Twitter, Instagram y Youtube se han convertido en populares plataformas de publicación y de difusión de contenidos literarios para jóvenes autores. Tanto es así que no son pocas las editoriales que han visto la oportunidad de convertir en cifras de ventas las cifras de seguidores, revitalizando incluso géneros minoritarios como la poesía. Sin embargo, estamos verdaderamente ante una "revitalización" del género poético clásico o de una construcción de nuevas poéticas productivas en red? Para ilustrar la polémica mercantil y literaria se ha seleccionado un corpus femenino de autoras, puesto que no pueden pasar desapercibidas las oportunidades de visibilización y ruptura de tópicos que ofrece el nuevo canal a la voz poética de la mujer.Over the last few years, social networks such as Twitter, Instagram and Youtube have become popular platforms for the publication and diffusion of literary content among young authors to such an extent that many publishing houses have appreciated the opportunity to convert the number of followers into sales. This is revitalizing minority genres such as poetry. One needs to question, though, whether we are seeing a revival of traditional classical poetry or the birth of a new "internet" genre. To illustrate this literary controversy and the resulting business issues, a corpus of female authors has been selected to demonstrate that these new opportunities for exposure, the breaking of stereotypes should not go unnoticed
Analítica
analitica Rebiun33551676 https://catalogo.rebiun.org/rebiun/record/Rebiun33551676 230421s2019 xx o 000 0 spa d https://dialnet.unirioja.es/servlet/oaiart?codigo=6975652 (Revista) ISSN 1133-3634 S9M oai:dialnet.unirioja.es:ART0001328197 https://dialnet.unirioja.es/oai/OAIHandler 23 DGCNT S9M S9M dc "#quéespoesía": género y nuevas poéticas productivas en la era de las redes sociales. Las poéticas de Elvira Sastre, Irene X y Loreto Sesma electronic resource] 2019 application/pdf Open access content. Open access content star Over the last few years, social networks such as Twitter, Instagram and Youtube have become popular platforms for the publication and diffusion of literary content among young authors to such an extent that many publishing houses have appreciated the opportunity to convert the number of followers into sales. This is revitalizing minority genres such as poetry. One needs to question, though, whether we are seeing a revival of traditional classical poetry or the birth of a new "internet" genre. To illustrate this literary controversy and the resulting business issues, a corpus of female authors has been selected to demonstrate that these new opportunities for exposure, the breaking of stereotypes should not go unnoticed En los últimos años, redes sociales como Twitter, Instagram y Youtube se han convertido en populares plataformas de publicación y de difusión de contenidos literarios para jóvenes autores. Tanto es así que no son pocas las editoriales que han visto la oportunidad de convertir en cifras de ventas las cifras de seguidores, revitalizando incluso géneros minoritarios como la poesía. Sin embargo, estamos verdaderamente ante una "revitalización" del género poético clásico o de una construcción de nuevas poéticas productivas en red? Para ilustrar la polémica mercantil y literaria se ha seleccionado un corpus femenino de autoras, puesto que no pueden pasar desapercibidas las oportunidades de visibilización y ruptura de tópicos que ofrece el nuevo canal a la voz poética de la mujer.Over the last few years, social networks such as Twitter, Instagram and Youtube have become popular platforms for the publication and diffusion of literary content among young authors to such an extent that many publishing houses have appreciated the opportunity to convert the number of followers into sales. This is revitalizing minority genres such as poetry. One needs to question, though, whether we are seeing a revival of traditional classical poetry or the birth of a new "internet" genre. To illustrate this literary controversy and the resulting business issues, a corpus of female authors has been selected to demonstrate that these new opportunities for exposure, the breaking of stereotypes should not go unnoticed LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI Spanish 21st century women's poetry social networks Elvira Sastre Irene X Loreto Sesma poesía femenina contemporánea redes sociales Elvira Sastre Irene X Loreto Sesma 21st century women's poetry social networks text (article) Logroño Carrascosa, Isabel. cre Signa: Revista de la Asociación Española de Semiótica, ISSN 1133-3634, Nº 28, 2019, pags. 843-866 Signa: Revista de la Asociación Española de Semiótica, ISSN 1133-3634, Nº 28, 2019, pags. 843-866 Signa: Revista de la Asociación Española de Semiótica, ISSN 1133-3634, Nº 28, 2019, pags. 843-866