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America's music legacy. Sou...
It might be surprising, but not it would not be perverse to invite the reader to first watch the archive where Otis Redding sings "I Can't Get No Satisfaction" surrounded by about thirty children, which is found at the end of the program In the group, there is a kid who has such an innate sense of dance and showmanship that it makes Otis Redding smile. After this dazzling musical moment, it is possible to pick up the thread of a beautiful program dedicated to Soul Music. Hybridization of gospel and rhythm & blues, brought to the end of the 1950's by Ray Charles, in phase with the spirit of the struggle for civil rights of Martin Luther King, soul music marks the desire for emancipation of the African-American youth, and the bringing to the foreground of black pride and its culture. This music, which both identifies and challenges, is not exempt from contradictions; it oscillates between incisive incantatory singing with James Brown, and sexualized syrupy ballads, as if it had to comply with the demands of entertainment. To produce its own effect with an insane but not kitsch look becomes a scenic imperative: Rufus Thomas' cape, canary yellow suit, and blood red boots are a perfect illustration of this. One forgives this narcissistic childishness as the expressiveness of the voices always reaches an exceptional level; you just have to listen to Carla Thomas, Gladys Knight or the versions of "Spanish Harlem" by Ben E. King or "For Your Precious Love" by Jerry Butler, who was Curtis Mayfield's sidekick in the group The Impressions to be convinced. Philippe Lesage
Material Proyectable
material_proyectable Rebiun34404691 https://catalogo.rebiun.org/rebiun/record/Rebiun34404691 m|||||o||c|||||||| cr |n||||||||a vz |za|z| 221130s1985 fr 094 e |o vleng d ASP5363440/marc CBUC 991000830393606712 CBUC 991010721965906709 VaAlASP eng rda VaAlASP America's music legacy. Soul produced by Sandra Turbow and Herb Silvers ; directed by Kip Walton ; Skylark-Savoy production America's music Soul Paris, France Qwest TV 1985 Paris, France Paris, France Qwest TV 1 online resource (94 minutes) 1 online resource (94 minutes) 013340 Two-dimensional Moving Image tdi rdacontent computer c rdamedia video v rdamedia online resource cr rdacarrier video file rdaft Academic Video Online Title from title screen (viewed November 30, 2022) James Brown, Ben E. King, Mary Bond Davis, Tyrone Davis, Maxine Nightingale, Gladys Knight & the Pips, Rufus Thomas, Carla Thomas, Jerry Butler, Freda Payne, Percy Sledge, performers ; Leon Isaac Kennedy, host It might be surprising, but not it would not be perverse to invite the reader to first watch the archive where Otis Redding sings "I Can't Get No Satisfaction" surrounded by about thirty children, which is found at the end of the program In the group, there is a kid who has such an innate sense of dance and showmanship that it makes Otis Redding smile. After this dazzling musical moment, it is possible to pick up the thread of a beautiful program dedicated to Soul Music. Hybridization of gospel and rhythm & blues, brought to the end of the 1950's by Ray Charles, in phase with the spirit of the struggle for civil rights of Martin Luther King, soul music marks the desire for emancipation of the African-American youth, and the bringing to the foreground of black pride and its culture. This music, which both identifies and challenges, is not exempt from contradictions; it oscillates between incisive incantatory singing with James Brown, and sexualized syrupy ballads, as if it had to comply with the demands of entertainment. To produce its own effect with an insane but not kitsch look becomes a scenic imperative: Rufus Thomas' cape, canary yellow suit, and blood red boots are a perfect illustration of this. One forgives this narcissistic childishness as the expressiveness of the voices always reaches an exceptional level; you just have to listen to Carla Thomas, Gladys Knight or the versions of "Spanish Harlem" by Ben E. King or "For Your Precious Love" by Jerry Butler, who was Curtis Mayfield's sidekick in the group The Impressions to be convinced. Philippe Lesage In English Música soul Música soul- History and criticism Concert films. Soul music. Walton, Kip director Silvers, Herb producer Turbow, Sandra producer Skylark Savoy Productions production company Qwest TV publisher