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Classical monologues for wo...

Classical monologues for women

Caldarone, Marina

"As an actor at any level - from school exam to professional casting - you are likely to be called upon to perform one or more audition pieces - often a 'classical' piece is specified. A great deal will depend on your coming up with something fresh that is suited both to your particular performing skills and to the period of the play you are auditioning for. Which is where this volume of The Good Audition Guides comes in."

"Drawing on her enormous experience as a theatre director and in drama training - she has sat on the selection board of several leading drama schools - Marina Caldarone has chosen for this volume fifty monologues for female actors selected from classical plays throughout the ages and ranging across all of Western theatre. Each monologue is prefaced with a neat summary of the vital information you need to place the piece in context and to perform it to maximum effect and in your own unique way. The volume also carries a user-friendly introduction on the whole process of auditioning."--Jacket

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Electronic books Drama. Monologues (Drama) Monologues (Drama)

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monografia Rebiun29267991 https://catalogo.rebiun.org/rebiun/record/Rebiun29267991 m o d cr cnu---unuuu 140711s2006 enk o 000 0 eng d 883567187 959423363 9781780010847 electronic bk.) 1780010842 electronic bk.) 9781854598707 1854598708 AU@ 000062554897 53FB3A99-48CF-4A8D-9049-124139546824 OverDrive, Inc. http://www.overdrive.com TEFOD eng rda pn TEFOD N$T YDXCP TEFOD EBLCP OCP OCLCQ TEFOD IDEBK MERUC OCLCQ NTG OCLCQ UKAHL OCLCQ INARC OCLCO CUI OCL OCLCO OCLCQ LAN 005000 bisacsh LAN 015000 bisacsh REF 026000 bisacsh Classical monologues for women edited and introduced by Marina Caldarone London Nick Hern Books 2006 London London Nick Hern Books 1 online resource (160 pages) 1 online resource (160 pages) Text txt rdacontent computer c rdamedia online resource cr rdacarrier Good audition guides Introduction -- Classical Greek and Roman -- Electra from) Electra Sophocles c. 415 BC) --) Polyxena from) Hecuba Euripides c. 424 BC) --) Creusa from) Ion Euripides c. 413 BC) --) Ismene from) Thebans Liz Lochhead 2003) after Sophocles and Euripides (5th century BC) --) Palaestra from) Rudens Plautus c. 200 BC) --) Elizabethan and Jacobean -- Alice Arden from) Arden of Faversham Anon 1592) --) Margaret of Anjou from) Henry III William Shakespeare 1593) --) Julia from) The two gentlemen of Verona William Shakespeare 1593) --) Lady Anne from) Richard III William Shakespeare 1594) --) Adriana from) The comedy of errors William Shakespeare 1595) --) Lady Constance from) King John William Shakespeare 1596) --) Tamyra from) Bussy D'Ambois George Chapman 1604) --) Bellafront from) The honest whore Thomas Dekker 1604) --) Beatrice from) The Dutch courtesan John Marston 1604) --) Crispinella from) The Dutch courtesan John Marston 1604) --) Mother from) A mad world, my masters Thomas Middleton 1605) --) Lucretia Borgia from) The devil's charter Barnabe Barnes 1607) --) Hermione from) The winter's tale William Shakespeare 1610) Maria from) The tamer tamed John Fletcher 1619) --) Guiomar from) The custom of the country John Fletcher 1619) --) Hippolyta from) The custom of the country John Fletcher 1619) --) Beatrice from) The changeling Thomas Middleton and) William Rowley 1622) --) Leonora from) The devil's law-case John Webster 1623) --) Lady Alworth from) A new way to pay old debts Philip Massinger 1625) --) French and Spanish Golden Age -- Casilda from) Peribanez Lope de Vega c. 1605-12) --) Célimène from) The misanthrope Molière 1666) --) Henriette from) The learned ladies Molière 1672) --) Phedra from) Phedra Jean Racine 1677) --) Restoration and eighteenth century -- Margery from) The country wife William Wycherley 1675) --) Charlotte from) She ventures, and he wins Ariadne 1695) --) Bassima from) The royal mischief Delariviere Manley 1696) --) Lamira from) The fatal friendship Catherine Trotter 1698) --) Jane from) The tragedy of Jane Shore Nicholas Rowe 1714) Millwood from) The London merchant George Lillo 1731) --) Miss Stirling from) The Clandestine marriage David Garrick/George Coleman 1766) --) Lydia Languish from) The rivals Richard Brinsley Sheridan 1775) --) Mrs Dangle from) The critic Richard Brinsley Sheridan 1779) --) Nineteenth and early twentieth centuries -- Mrs Tiffany from) Fashion, or Life in New York Anna Cora Mowatt 1845) --) Mrs Alving from) Ghosts Henrik Ibsen 1881) --) Miss Julie from) Miss Julie August Strindberg 1888) --) Madame X from) The stronger August Strindberg 1889) --) Jean from) Alan's wife Florence Bell and) Elizabeth Robins 1893) --) Mrs Cheveley from) An ideal husband Oscar Wilde 1895) --) Yelena from) Uncle Vanya Anton Chekhov 1897) --) Alice from) The dancer of death, Part 2 August Strindberg 1901) --) Margaret from) Fanny's first play George Bernard Shaw 1911) --) Orinthia from) The apple cart George Bernard Shaw 1929) --) Bride from) Blood wedding Federico García Lorca 1933) "As an actor at any level - from school exam to professional casting - you are likely to be called upon to perform one or more audition pieces - often a 'classical' piece is specified. A great deal will depend on your coming up with something fresh that is suited both to your particular performing skills and to the period of the play you are auditioning for. Which is where this volume of The Good Audition Guides comes in." "Drawing on her enormous experience as a theatre director and in drama training - she has sat on the selection board of several leading drama schools - Marina Caldarone has chosen for this volume fifty monologues for female actors selected from classical plays throughout the ages and ranging across all of Western theatre. Each monologue is prefaced with a neat summary of the vital information you need to place the piece in context and to perform it to maximum effect and in your own unique way. The volume also carries a user-friendly introduction on the whole process of auditioning."--Jacket Monologues Acting- Auditions Women- Drama LANGUAGE ARTS & DISCIPLINES- Composition & Creative Writing. LANGUAGE ARTS & DISCIPLINES- Rhetoric. REFERENCE- Writing Skills. Women. Acting- Auditions. Monologues. Electronic books Drama. Monologues (Drama) Monologues (Drama) Caldarone, Marina Print verison Classical monologues for women. London : Nick Hern Books, 2006 9781854598707 (OCoLC)62479243 Good audition guides

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monografia Rebiun29267991 https://catalogo.rebiun.org/rebiun/record/Rebiun29267991 m o d cr cnu---unuuu 140711s2006 enk o 000 0 eng d 883567187 959423363 9781780010847 electronic bk.) 1780010842 electronic bk.) 9781854598707 1854598708 AU@ 000062554897 53FB3A99-48CF-4A8D-9049-124139546824 OverDrive, Inc. http://www.overdrive.com TEFOD eng rda pn TEFOD N$T YDXCP TEFOD EBLCP OCP OCLCQ TEFOD IDEBK MERUC OCLCQ NTG OCLCQ UKAHL OCLCQ INARC OCLCO CUI OCL OCLCO OCLCQ LAN 005000 bisacsh LAN 015000 bisacsh REF 026000 bisacsh Classical monologues for women edited and introduced by Marina Caldarone London Nick Hern Books 2006 London London Nick Hern Books 1 online resource (160 pages) 1 online resource (160 pages) Text txt rdacontent computer c rdamedia online resource cr rdacarrier Good audition guides Introduction -- Classical Greek and Roman -- Electra from) Electra Sophocles c. 415 BC) --) Polyxena from) Hecuba Euripides c. 424 BC) --) Creusa from) Ion Euripides c. 413 BC) --) Ismene from) Thebans Liz Lochhead 2003) after Sophocles and Euripides (5th century BC) --) Palaestra from) Rudens Plautus c. 200 BC) --) Elizabethan and Jacobean -- Alice Arden from) Arden of Faversham Anon 1592) --) Margaret of Anjou from) Henry III William Shakespeare 1593) --) Julia from) The two gentlemen of Verona William Shakespeare 1593) --) Lady Anne from) Richard III William Shakespeare 1594) --) Adriana from) The comedy of errors William Shakespeare 1595) --) Lady Constance from) King John William Shakespeare 1596) --) Tamyra from) Bussy D'Ambois George Chapman 1604) --) Bellafront from) The honest whore Thomas Dekker 1604) --) Beatrice from) The Dutch courtesan John Marston 1604) --) Crispinella from) The Dutch courtesan John Marston 1604) --) Mother from) A mad world, my masters Thomas Middleton 1605) --) Lucretia Borgia from) The devil's charter Barnabe Barnes 1607) --) Hermione from) The winter's tale William Shakespeare 1610) Maria from) The tamer tamed John Fletcher 1619) --) Guiomar from) The custom of the country John Fletcher 1619) --) Hippolyta from) The custom of the country John Fletcher 1619) --) Beatrice from) The changeling Thomas Middleton and) William Rowley 1622) --) Leonora from) The devil's law-case John Webster 1623) --) Lady Alworth from) A new way to pay old debts Philip Massinger 1625) --) French and Spanish Golden Age -- Casilda from) Peribanez Lope de Vega c. 1605-12) --) Célimène from) The misanthrope Molière 1666) --) Henriette from) The learned ladies Molière 1672) --) Phedra from) Phedra Jean Racine 1677) --) Restoration and eighteenth century -- Margery from) The country wife William Wycherley 1675) --) Charlotte from) She ventures, and he wins Ariadne 1695) --) Bassima from) The royal mischief Delariviere Manley 1696) --) Lamira from) The fatal friendship Catherine Trotter 1698) --) Jane from) The tragedy of Jane Shore Nicholas Rowe 1714) Millwood from) The London merchant George Lillo 1731) --) Miss Stirling from) The Clandestine marriage David Garrick/George Coleman 1766) --) Lydia Languish from) The rivals Richard Brinsley Sheridan 1775) --) Mrs Dangle from) The critic Richard Brinsley Sheridan 1779) --) Nineteenth and early twentieth centuries -- Mrs Tiffany from) Fashion, or Life in New York Anna Cora Mowatt 1845) --) Mrs Alving from) Ghosts Henrik Ibsen 1881) --) Miss Julie from) Miss Julie August Strindberg 1888) --) Madame X from) The stronger August Strindberg 1889) --) Jean from) Alan's wife Florence Bell and) Elizabeth Robins 1893) --) Mrs Cheveley from) An ideal husband Oscar Wilde 1895) --) Yelena from) Uncle Vanya Anton Chekhov 1897) --) Alice from) The dancer of death, Part 2 August Strindberg 1901) --) Margaret from) Fanny's first play George Bernard Shaw 1911) --) Orinthia from) The apple cart George Bernard Shaw 1929) --) Bride from) Blood wedding Federico García Lorca 1933) "As an actor at any level - from school exam to professional casting - you are likely to be called upon to perform one or more audition pieces - often a 'classical' piece is specified. A great deal will depend on your coming up with something fresh that is suited both to your particular performing skills and to the period of the play you are auditioning for. Which is where this volume of The Good Audition Guides comes in." "Drawing on her enormous experience as a theatre director and in drama training - she has sat on the selection board of several leading drama schools - Marina Caldarone has chosen for this volume fifty monologues for female actors selected from classical plays throughout the ages and ranging across all of Western theatre. Each monologue is prefaced with a neat summary of the vital information you need to place the piece in context and to perform it to maximum effect and in your own unique way. The volume also carries a user-friendly introduction on the whole process of auditioning."--Jacket Monologues Acting- Auditions Women- Drama LANGUAGE ARTS & DISCIPLINES- Composition & Creative Writing. LANGUAGE ARTS & DISCIPLINES- Rhetoric. REFERENCE- Writing Skills. Women. Acting- Auditions. Monologues. Electronic books Drama. Monologues (Drama) Monologues (Drama) Caldarone, Marina Print verison Classical monologues for women. London : Nick Hern Books, 2006 9781854598707 (OCoLC)62479243 Good audition guides