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Performance cultures as epi...
This volume investigates performances as situated "machineries of knowing" (Karin Knorr Cetina), exploring them as relational processes for, in and with which performers as well as spectators actively (re)generate diverse practices of knowing, knowledges and epistemologies.Performance cultures are distinct but interconnected environments of knowledge practice. Their characteristic features depend not least on historical as well as contemporary practices and processes of interweaving performance cultures. The book presents case studies from diverse locations around the globe, including Argentina, Canada, China, Greece, India, Poland, Singapore, and the United States. Authored by leading scholars in theater, performance and dance studies, its chapters probe not only what kinds of knowledges are (re)generated in performances, for example cultural, social, aesthetic and/or spiritual knowledges; the contributions investigate also how performers and spectators practice knowing (and not-knowing) in performances, paying particular attention to practices and processes of interweaving performance cultures and the ways in which they contribute to shaping performances as dynamic "machineries of knowing" today.
Monografía
monografia Rebiun32814422 https://catalogo.rebiun.org/rebiun/record/Rebiun32814422 m o d | cr#cnu|||||||| 230215s2023 nyua fs n 001|0 eng c 9781000862331 electronic bk.) 9781032445694 9781003372837 MiAaPQ eng rda pn MiAaPQ MiAaPQ UMA.CEP Performance cultures as epistemic cultures Performance cultures as epistemic cultures Recurso electrónico]. volume I (re)generating knowledges in performance edited by Torsten Jost, Erika Fischer-Lichte, Milos Kosic, and Astrid Schenka;[Ann Cooper Albright...et al.] New York Routledge 2023 New York New York Routledge Milton Taylor & Francis Group 2023 Milton Milton Taylor & Francis Group 2023 1 recurso electrónico(xiv, 237 p.) 1 recurso electrónico(xiv, 237 p.) Text txt rdacontent computer c rdamedia online resource cr rdacarrier Routledge Advances in Theatre and Performance Studies Referencias bibliográficas al final de cada capítulo ïndice: p. 231-236 Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of Figures -- Acknowledgments -- List of Contributors -- Introduction: Performance cultures as epistemic cultures: (Re)Generating knowledges in performance -- Part I (Re)Generating Cultural and Social Knowledges -- Chapter 1 Building relations, engendering knowledge: Te Rēhia Theatre's SolOthello in Toronto -- Chapter 2 Contesting the povAḍA as an epistemological mode: History, form and performance -- Chapter 3 Kaṭṭaikkūttu as practice-based knowledge -- Part II (Re)Generating Aesthetic Knowledges -- Chapter 4 Aesthetic knowledge and aesthetic experience -- Chapter 5 What knowledges do dance viewers generate? -- Chapter 6 Learning "to be affected": Attaining "relational knowledge" through interweaving in acting -- Part III (Re)Generating Spiritual Knowledges -- Chapter 7 On being and unknowing: Moving with an "other" in capoeira, contact improvisation and queer tango -- Chapter 8 Approaching practices of acting through Daoist philosophy -- Chapter 9 Teatr ZAR's song theater as spiritual knowledge -- Coda: Meditation on not-knowing -- Index This volume investigates performances as situated "machineries of knowing" (Karin Knorr Cetina), exploring them as relational processes for, in and with which performers as well as spectators actively (re)generate diverse practices of knowing, knowledges and epistemologies.Performance cultures are distinct but interconnected environments of knowledge practice. Their characteristic features depend not least on historical as well as contemporary practices and processes of interweaving performance cultures. The book presents case studies from diverse locations around the globe, including Argentina, Canada, China, Greece, India, Poland, Singapore, and the United States. Authored by leading scholars in theater, performance and dance studies, its chapters probe not only what kinds of knowledges are (re)generated in performances, for example cultural, social, aesthetic and/or spiritual knowledges; the contributions investigate also how performers and spectators practice knowing (and not-knowing) in performances, paying particular attention to practices and processes of interweaving performance cultures and the ways in which they contribute to shaping performances as dynamic "machineries of knowing" today. https://www.routledge.com/Performance-Cultures-as-Epistemic-Cultures-Volume-I-ReGenerating-Knowledges/Fischer-Lichte-Jost-Kosic-Schenka/p/book/9781032445724 Epistemología Performance (Arte) Artes escénicas Teatro experimental Arte dramático Danza Knowledge, Theory of Performing arts- Philosophy Fischer-Lichte, Erika ed Albright, Ann Cooper Jost, Torsten ed Kosic, Milos ed Schenka, Astrid ed