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Archaeoacoustics III : the ...
"Malta, then Turkey, and then Portugal: we have now bracketed the Mediterranean with this third international multidisciplinary conference on Archaeoacoustics. Building on foundations cited elsewhere in this book, a risky idea took hold a few years ago. What if we reversed the traditional conventions of specialization and brought together people from a range of professional viewpoints to look at the subject of archaeoacoustics on an international scale? Obviously, it was effective. It has been said that these three conferences have facilitated a fresh blossoming of interest. More people than ever before are pursuing the study of the human experience of sound in antiquity. The fresh perspective and fervent voices that we have witnessed hint at an increasing respect for the fact that the ancient world was not silent. Hearty congratulations to all who have been on the journey with us." (página 5)
Monografía
monografia Rebiun36051300 https://catalogo.rebiun.org/rebiun/record/Rebiun36051300 240416s2016 xxua|||| |||| 00| 0 eng d 9780965625258 FJM 199425 BMYT spa rda Archaeoacoustics III the archaeology of sound : publication of the 2017 Conference in Portugal edited by Linda C. Eneix and Michael Ragussa Myakka City, Florida The OTS Foundation 2018 Myakka City, Florida Myakka City, Florida The OTS Foundation ©2018 272 páginas ilustraciones (blanco y negro) 28 cm 272 páginas Texto [rdacontent] sin mediación [rdamedia] volumen [rdacarrier] Incluye referencias bibliográficas Introduction Linda C. Eneix. -- When the Ancient World Got a Soundtrack Paul Devereux. -- Archaeology, Archaeoacoustic and Early Musical Behaviour Fernando Coimbra. -- Prayer and Resonance in Paleolithic Painted Cavesof Southern France: an Indigenous Science Approach Apela Colorado, Ryan Hurd, Matthew Tucker. -- Definitive Results of Archaeoacoustic Analysis at Alatri Acropolis, Italy Paolo Debertolis, Daniele Gullà, Natalia Tarabella, Lorenzo Marcuccetti. -- Acoustics of Medieval Architectural Heritage - Research Methodology Zorana orevic. -- The Parta Vase: Experimenting Neolithic Acoustics Dragos Gheirghiu. -- Sounding Situated Knowledges: Archaeoacoustics as Sonic Knowledge Production Annie Goh. -- Wemyss Bay Caves Auralisation Project Nicholas Green. -- Archaeoacoustics and the Fall of Jericho Anne Habermehl. -- How Do the Acoustics in Cathedrals Affect the Human Subconscious? Keith Harvey. -- Getting in Tune with the Earth and the Sky: Healing in the Temple Colonnade Alvin Holm. -- Ecstatic Sounds: a Hypothesis on Relationships Between Sounds and Various States of Consciousness Torill Christine Lindstrøm. -- Archaeoacoustic Approach to the Rounda in Bény Irén Lovász, Paolo Debertolis. -- Experiencing an Ancient Performance in a Roman Theatre Maria Cristina Manzetti. -- Exploring Aural Architecture: Experience, Resonance, Attunement Cláudia Martinho. -- The Silent Space: Examining Women's Voices in Archaeoacoustics Research Sarah McCann. -- The Singing Loom: The Importance of Textile Production in the Roman Domestic Soundscape Magdalena Öhrman. -- Sound, Cognition, and Social Control Vincent C. Paladino. -- On Foundations of Archaeoacoustics Legor Reznikoff. -- Researching the Epistemological Paradigm of Archaeological Bone Flutes' Sound-Studies Etienne Safa. -- Of Stars and Bells: the Sound of Light Christiaan Sterken. -- Hal Saflieni Hypogeum: An Introduction to the Site and its Acoustics Katya Stroud. -- Wonders Decoded: Extrasensorial Looking at the Ancient and Its Meaning Towards Future Architecture Hyun Soo Suh. -- Fireplace and Holy Altar in Curiceta at Apuan Alps, Italy Natalia Tarabella, Paolo Debertolis, Daniele Gullà, Lorenzo Marcuccetti. -- Resonant Form: The Convergence of Sound and Space Shea Michael Trahan. -- Study of the Effect of Different Types of Music in a Large Group of Listeners: Within Saint Peter's Church in Cuenca (Spain) N. Valverde-Gascueña, M. P. Sáez-Pérez, J. P. Ruiz-Fernández. -- An Interpretative Phenomenological Analysis of the Imapact of Frequency-Dependent Sound on Human Thought and Feeling in a Bronze Age Cave in Morayshire, North-East Scotland Michelle Walker. -- Can We Hear the Sounds of Archaeological Sites... The Way Our Ancestors Heard Them? Steven J. Waller. -- The International Association of Archaeoacoustics: A Prolegomenon Ezra B. W. Zubrow "Malta, then Turkey, and then Portugal: we have now bracketed the Mediterranean with this third international multidisciplinary conference on Archaeoacoustics. Building on foundations cited elsewhere in this book, a risky idea took hold a few years ago. What if we reversed the traditional conventions of specialization and brought together people from a range of professional viewpoints to look at the subject of archaeoacoustics on an international scale? Obviously, it was effective. It has been said that these three conferences have facilitated a fresh blossoming of interest. More people than ever before are pursuing the study of the human experience of sound in antiquity. The fresh perspective and fervent voices that we have witnessed hint at an increasing respect for the fact that the ancient world was not silent. Hearty congratulations to all who have been on the journey with us." (página 5) Textos en inglés Arqueología y escucha Arqueología y acústica Arqueología musical Música y arquitectura Arte sonoro y arqueología Crítica, interpretación, etc Eneix, Linda C. editora