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Haydn Studies

Haydn Studies

Sutcliffe, W. Dean

Cambridge University Press 1998

This study contains essays by leading scholars on Franz Joseph Haydn

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monografia Rebiun32727303 https://catalogo.rebiun.org/rebiun/record/Rebiun32727303 m d 130418s1998||||||| s|||||||||||eng|d 1-107-17290-X 0-511-37023-7 0-511-48188-8 9780511369711 UPVA 997920489403706 CBUC 991010484310506709 CBUC 991001014628806712 UAM 991005142349704211 UPCT u383272 AU-PeEL eng AU-PeEL AU-PeEL eng 780 780.92 Sutcliffe, W. Dean Haydn Studies electronic resource] Cambridge Cambridge University Press 1998 Cambridge Cambridge Cambridge University Press 1 online resource (359 p.) 1 online resource (359 p.) Text txt computer c online resource cr Cambridge Composer Studies Description based upon print version of record Cover; Half-title; Title; Copyright; Contents; Preface; Editor's note; 1 The consequences of presumed innocence: the nineteenth-century reception of Joseph Haydn; 1 The Haydn paradox: from engaged affection to distant respect; 2 The nineteenth-century consensus; 3 Four aspects of paradoxical innocence: Haydn's deification into irrelevance; Haydn as touchstone; Biographical assumptions; The demise of philosophical music; The ideology of connoisseurship and the need for a normative Classicism; 2 Haydn's sacred vocal music and the aesthetics of salvation; 1; 2; 3; 4; 5 3 Sentiment and sensibility in La vera costanza Haydn the dramatist?; Haydn's 'Pamela' and the cult of sensibility; Haydn's transformation of the sentimental heroine; The power of sensibility in the plot; Conclusion; 4 Haydn as Romantic: a chemical experiment with instrumental music; Body language; Life-force; Chemical analysis; Conscious life form; Artificial reality; Optimistic pessimism; 5 Haydn's 'Cours complet de la composition' and the Sturm und Drang; 6 Haydn's reversals: style change, gesture and the implication-realization model; 1 Stormy style shapes; 2 Galant schemata 7 Haydn's symphonies between Sturm und Drang and 'Classical style': art and entertainment 1; 2; 3; 4; 5; 8 The Haydn piano trio: textual facts and textural principles; 9 Papa Doc's recap caper: Haydn and temporal dyslexia; 10 Haydn: the musicians'musician; Index This study contains essays by leading scholars on Franz Joseph Haydn English Haydn, Joseph 1732-1809)- Criticism and interpretation Composers -- Austria -- Correspondence Haydn, Joseph, 1732-1809 -- Correspondence Haydn, Joseph, 1732-1809 -- Criticism and interpretation Piano music -- Interpretation (Phrasing, dynamics, etc.). Sutcliffe, W. Dean Contributor 0-521-58052-8 Cambridge Composer Studies

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monografia Rebiun32727303 https://catalogo.rebiun.org/rebiun/record/Rebiun32727303 m d 130418s1998||||||| s|||||||||||eng|d 1-107-17290-X 0-511-37023-7 0-511-48188-8 9780511369711 UPVA 997920489403706 CBUC 991010484310506709 CBUC 991001014628806712 UAM 991005142349704211 UPCT u383272 AU-PeEL eng AU-PeEL AU-PeEL eng 780 780.92 Sutcliffe, W. Dean Haydn Studies electronic resource] Cambridge Cambridge University Press 1998 Cambridge Cambridge Cambridge University Press 1 online resource (359 p.) 1 online resource (359 p.) Text txt computer c online resource cr Cambridge Composer Studies Description based upon print version of record Cover; Half-title; Title; Copyright; Contents; Preface; Editor's note; 1 The consequences of presumed innocence: the nineteenth-century reception of Joseph Haydn; 1 The Haydn paradox: from engaged affection to distant respect; 2 The nineteenth-century consensus; 3 Four aspects of paradoxical innocence: Haydn's deification into irrelevance; Haydn as touchstone; Biographical assumptions; The demise of philosophical music; The ideology of connoisseurship and the need for a normative Classicism; 2 Haydn's sacred vocal music and the aesthetics of salvation; 1; 2; 3; 4; 5 3 Sentiment and sensibility in La vera costanza Haydn the dramatist?; Haydn's 'Pamela' and the cult of sensibility; Haydn's transformation of the sentimental heroine; The power of sensibility in the plot; Conclusion; 4 Haydn as Romantic: a chemical experiment with instrumental music; Body language; Life-force; Chemical analysis; Conscious life form; Artificial reality; Optimistic pessimism; 5 Haydn's 'Cours complet de la composition' and the Sturm und Drang; 6 Haydn's reversals: style change, gesture and the implication-realization model; 1 Stormy style shapes; 2 Galant schemata 7 Haydn's symphonies between Sturm und Drang and 'Classical style': art and entertainment 1; 2; 3; 4; 5; 8 The Haydn piano trio: textual facts and textural principles; 9 Papa Doc's recap caper: Haydn and temporal dyslexia; 10 Haydn: the musicians'musician; Index This study contains essays by leading scholars on Franz Joseph Haydn English Haydn, Joseph 1732-1809)- Criticism and interpretation Composers -- Austria -- Correspondence Haydn, Joseph, 1732-1809 -- Correspondence Haydn, Joseph, 1732-1809 -- Criticism and interpretation Piano music -- Interpretation (Phrasing, dynamics, etc.). Sutcliffe, W. Dean Contributor 0-521-58052-8 Cambridge Composer Studies