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Tippett Studies

Tippett Studies

Clarke, David

Cambridge University Press 1999

This book covers all of Tippett's style-periods and many of the key genres within his oeuvre

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Electronic books

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monografia Rebiun19971831 https://catalogo.rebiun.org/rebiun/record/Rebiun19971831 m d cr -n--------- 130418s1999||||||| s|||||||||||eng|d 0-511-37020-2 0-511-48199-3 UPVA 997920488703706 CBUC 991010482951306709 CBUC 991001014627106712 UPCT u383273 AU-PeEL eng AU-PeEL AU-PeEL eng 780 780.92 Clarke, David Tippett Studies electronic resource] Cambridge Composer Studies Cambridge Cambridge University Press 1999 Cambridge Cambridge Cambridge University Press 1 online resource (250 p.) 1 online resource (250 p.) Text txt computer c online resource cr Cambridge Composer Studies Description based upon print version of record Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O.Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V 4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett,sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No.3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V Appendix: glossary of terms used in pitch-class set theoryIndex This book covers all of Tippett's style-periods and many of the key genres within his oeuvre English Composers -- England -- Correspondence Composers -- Great Britain -- Correspondence Tippett, Michael, 1905-1998 -- Correspondence Tippett, Michael, 1905-1998 -- Criticism and interpretation Electronic books Clarke, David Contributor 0-521-59205-4 Cambridge Composer Studies

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monografia Rebiun19971831 https://catalogo.rebiun.org/rebiun/record/Rebiun19971831 m d cr -n--------- 130418s1999||||||| s|||||||||||eng|d 0-511-37020-2 0-511-48199-3 UPVA 997920488703706 CBUC 991010482951306709 CBUC 991001014627106712 UPCT u383273 AU-PeEL eng AU-PeEL AU-PeEL eng 780 780.92 Clarke, David Tippett Studies electronic resource] Cambridge Composer Studies Cambridge Cambridge University Press 1999 Cambridge Cambridge Cambridge University Press 1 online resource (250 p.) 1 online resource (250 p.) Text txt computer c online resource cr Cambridge Composer Studies Description based upon print version of record Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O.Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V 4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett,sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No.3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V Appendix: glossary of terms used in pitch-class set theoryIndex This book covers all of Tippett's style-periods and many of the key genres within his oeuvre English Composers -- England -- Correspondence Composers -- Great Britain -- Correspondence Tippett, Michael, 1905-1998 -- Correspondence Tippett, Michael, 1905-1998 -- Criticism and interpretation Electronic books Clarke, David Contributor 0-521-59205-4 Cambridge Composer Studies