REBIUN - ODA

Descripción del título

Tippett Studies

Tippett Studies

Clarke, David

Cambridge University Press 1999

This book covers all of Tippett's style-periods and many of the key genres within his oeuvre

Ver

Electronic books Electronic resource Criticism, interpretation, etc.

Monografía

monografia Rebiun29792796 https://catalogo.rebiun.org/rebiun/record/Rebiun29792796 m o d cr |n|---||||| 111121s1999 enk o 000 0 eng d 668203059 741249108 815546281 1162344549 1170449568 1172231503 1290116467 1292397173 9780511370205 0511370202 9780511481994 ebook) 0511481993 ebook) 1281156248 9781281156242 1107172969 9781107172968 9780521592055 hardback) 0521592054 9780521026833 paperback) 0521026830 AU@ 000055777995 DEBBG BV044159225 EBLCP eng pn EBLCP MNU IDEBK OCLCQ YDXCP OCLCO OCLCF OCLCQ OCLCO OCLCQ ZCU OCLCQ MERUC OCLCA ICG OCLCQ OCLCO DKC OCLCQ HS0 OCLCQ SNU VLY LUN AVH bicssc Clarke, David Tippett Studies Cambridge Cambridge University Press 1999 Cambridge Cambridge Cambridge University Press 1 online resource (250 pages) 1 online resource (250 pages) Text txt rdacontent computer c rdamedia online resource cr rdacarrier Cambridge Composer Studies Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O. Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V. 4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett, sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No. 3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V. Appendix: glossary of terms used in pitch-class set theoryIndex This book covers all of Tippett's style-periods and many of the key genres within his oeuvre English Tippett, Michael 1905-1998)- Criticism and interpretation Tippett, Michael 1905-1998) Electronic books Electronic resource Criticism, interpretation, etc. Print version Clarke, David. Tippett Studies. Cambridge : Cambridge University Press, 1999 9780521592055 Cambridge composer studies

• Localizaciones: 1
• Préstamo interbibliotecario

• Exportar
  • Dublin Core
  • Google scholar
  • RIS
  • RefWorks
• Favorito
• Compartir

Información Sólo puedes introducir una dirección de email ×

Introduce un email para compartir el título

Email Pon el email de la persona con la que deseas compartir este contenido

Error .alert.alert-info

Cerrar Compartir por email

Información Haz clic en el cuadro de texto para seleccionar el contenido y copiarlo al portapapeles

Enlace permanente https://catalogo.rebiun.org/rebiun/record/Rebiun29792796

Cerrar

monografia Rebiun29792796 https://catalogo.rebiun.org/rebiun/record/Rebiun29792796 m o d cr |n|---||||| 111121s1999 enk o 000 0 eng d 668203059 741249108 815546281 1162344549 1170449568 1172231503 1290116467 1292397173 9780511370205 0511370202 9780511481994 ebook) 0511481993 ebook) 1281156248 9781281156242 1107172969 9781107172968 9780521592055 hardback) 0521592054 9780521026833 paperback) 0521026830 AU@ 000055777995 DEBBG BV044159225 EBLCP eng pn EBLCP MNU IDEBK OCLCQ YDXCP OCLCO OCLCF OCLCQ OCLCO OCLCQ ZCU OCLCQ MERUC OCLCA ICG OCLCQ OCLCO DKC OCLCQ HS0 OCLCQ SNU VLY LUN AVH bicssc Clarke, David Tippett Studies Cambridge Cambridge University Press 1999 Cambridge Cambridge Cambridge University Press 1 online resource (250 pages) 1 online resource (250 pages) Text txt rdacontent computer c rdamedia online resource cr rdacarrier Cambridge Composer Studies Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O. Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V. 4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett, sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No. 3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V. Appendix: glossary of terms used in pitch-class set theoryIndex This book covers all of Tippett's style-periods and many of the key genres within his oeuvre English Tippett, Michael 1905-1998)- Criticism and interpretation Tippett, Michael 1905-1998) Electronic books Electronic resource Criticism, interpretation, etc. Print version Clarke, David. Tippett Studies. Cambridge : Cambridge University Press, 1999 9780521592055 Cambridge composer studies