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Elliott Carter studies [edi...
An international team of scholars presents historic, philosophic, philological and theoretical perspectives on Carter's extensive musical repertoire
Monografía
monografia Rebiun28292718 https://catalogo.rebiun.org/rebiun/record/Rebiun28292718 m o d | cr -n--------- 120402s2012 nyua ob 001 0 eng d 2012013415 1-139-53947-7 1-107-22260-5 1-283-52181-4 9786613834263 1-139-52661-8 1-139-03075-2 1-139-52542-5 1-139-53128-X 1-139-53009-7 1-139-52781-9 UAM 991008021967504211 CBUC 991010755410206709 MiAaPQ MiAaPQ MiAaPQ eng 780.92 Elliott Carter studies electronic resource] edited by Marguerite Boland and John Link Cambridge, [UK] New York Cambridge University Press 2012 Cambridge, [UK] New York Cambridge, [UK] New York Cambridge University Press 1 online resource (366 p.) 1 online resource (366 p.) Text txt computer c online resource cr Cambridge Composer Studies Description based upon print version of record Includes bibliographical references and index Cover; Elliott Carter Studies; Title; Copyright; Contents; Illustrations; Contributors; Editors; Other contributors; Preface; Acknowledgments; Abbreviations; PART I: Overview: music early and late; 1: The true significance of Elliott Carter's early music; A love of complication; "Simultaneous streams of different things going on together"; Collectional thinking in a pantonal environment; Text expression; The "long line"; 2: Elliott Carter's late music; PART II: Analysis and aesthetics; 3: The search for order: Carter's Symphonia and late-modern thematicism; Post-tonal choices Thematicism in theory and practicePromoting "focused attention": Carter's sources; Thematic process and suspended tonality: a context for Carter; Symphonia I: Partita (1993); From Trilogy for oboe and harp (1992) to Symphonia II: Adagio tenebroso (1994); Symphonia III: Allegro scorrevole (1996); Epilogue; 4: Ritornello form in Carter's Boston and ASKO concertos; Boston Concerto ritornellos: the "rain" texture and its transformation; "Thematic" return in the ASKO Concerto ritornellos; Formal layers in the ASKO Concerto; "Emancipated musical discourse" 5: "The matter of human cooperation" in Carter's mature styleSome introductory examples; Processes of reconciliation in a solo work; Increasing cooperation as gradual unification; "A very important consideration"; 6: Time management: rhythm as a formal determinant in certain works of Elliott Carter; 7: "I try to write music that will appeal to an intelligent listener's ear." On Elliott Carter's string quartets; Composing against the "breakdown of communication"; Points of departure: American ultra-modernists and the Viennese School in exile; Structural thought and compositional work 8: Composition with intervals: melodic invention in Elliott Carter's recent concertosCarter's interval technique; Interval repertoires and their source chords; Source chords as spatial sets; Intervallically permutable pitch sets; Disrupted symmetries; Counterpoint; Rhythm and performance issues; PART III: Sketch studies; 9: Left by the wayside: Elliott Carter's unfinished Sonatina for Oboe and Harpsichord; 10: At the edge of creation: Elliott Carter's sketches in the Library of Congress; "... intelligible relation to the past ..."; "... anticipation of the future ..." The "Proto-Harmony Book"PART IV: Music and text; 11: Three Illusions ... and maybe a fourth: a hermeneutic approach to Carter's recent music; Micomicón; Fons Juventatis; More's Utopia; 12: Layers of meaning: expression and design in Carter's songs; Of Challenge and of Love: "End of a Chapter"; "Metamorphosis" from In the Distances of Sleep; 13: Text, music, and irony in What Next?; Introduction; Preliminary information about What Next?; First pass; Second pass; Conclusion; 14: Words and music in The Defense of Corinth; The historical context; Classicism and Neoclassicism; The text Words and music An international team of scholars presents historic, philosophic, philological and theoretical perspectives on Carter's extensive musical repertoire English Carter, Elliott 1908-2012)- Criticism and interpretation Composers- 20th century Electronic books Boland, Marguerite Link, John F. 1-316-63996-7 0-521-11362-8 Cambridge Composer Studies