REBIUN - ODA

Descripción del título

Haydn Studies

Haydn Studies

Sutcliffe, W. Dean

Cambridge University Press 1998

This study contains essays by leading scholars on Franz Joseph Haydn

Ver

Electronic books

Monografía

monografia Rebiun19791170 https://catalogo.rebiun.org/rebiun/record/Rebiun19791170 m d 130418s1998||||||| s|||||||||||eng|d 0-511-37023-7 0-511-48188-8 AU-PeEL eng AU-PeEL AU-PeEL eng 780 780.92 Sutcliffe, W. Dean Haydn Studies electronic resource] Cambridge Composer Studies Cambridge Cambridge University Press 1998 Cambridge Cambridge Cambridge University Press 1 online resource (359 p.) 1 online resource (359 p.) Text txt computer c online resource cr Cambridge Composer Studies Description based upon print version of record Cover; Half-title; Title; Copyright; Contents; Preface; Editor's note; 1 The consequences of presumed innocence: the nineteenth-century reception of Joseph Haydn; 1 The Haydn paradox: from engaged a.ection to distant respect; 2 The nineteenth-century consensus; 3 Four aspects of paradoxical innocence: Haydn's deification into irrelevance; Haydn as touchstone; Biographical assumptions; The demise of philosophical music; The ideology of connoisseurship and the need for a normative Classicism; 2 Haydn's sacred vocal music and the aesthetics of salvation; 1; 2; 3; 4; 5 3 Sentiment and sensibility in La vera costanza Haydn the dramatist?; Haydn's 'Pamela' and the cult of sensibility; Haydn's transformation of the sentimental heroine; The power of sensibility in the plot; Conclusion; 4 Haydn as Romantic: a chemical experiment with instrumental music; Body language; Life-force; Chemical analysis; Conscious life form; Artificial reality; Optimistic pessimism; 5 Haydn's 'Cours complet de la composition' and the Sturm und Drang; 6 Haydn's reversals: style change, gesture and the implication-realization model; 1 Stormy style shapes; 2 Galant schemata 7 Haydn's symphonies between Sturm und Drang and 'Classical style': art and entertainment1; 2; 3; 4; 5; 8 The Haydn piano trio: textual facts and textural principles; 9 Papa Doc's recap caper: Haydn and temporal dyslexia; 10 Haydn: the musicians'musician; Index This study contains essays by leading scholars on Franz Joseph Haydn English Composers -- Austria -- Correspondence Haydn, Joseph, 1732-1809 -- Correspondence Haydn, Joseph, 1732-1809 -- Criticism and interpretation Piano music -- Interpretation (Phrasing, dynamics, etc.). Electronic books Sutcliffe, W. Dean Contributor 0-521-58052-8 Cambridge Composer Studies

• Localizaciones: 2
• Préstamo interbibliotecario

• Exportar
  • Dublin Core
  • Google scholar
  • RIS
  • RefWorks
• Favorito
• Compartir

Información Sólo puedes introducir una dirección de email ×

Introduce un email para compartir el título

Email Pon el email de la persona con la que deseas compartir este contenido

Error .alert.alert-info

Cerrar Compartir por email

Información Haz clic en el cuadro de texto para seleccionar el contenido y copiarlo al portapapeles

Enlace permanente https://catalogo.rebiun.org/rebiun/record/Rebiun19791170

Cerrar

monografia Rebiun19791170 https://catalogo.rebiun.org/rebiun/record/Rebiun19791170 m d 130418s1998||||||| s|||||||||||eng|d 0-511-37023-7 0-511-48188-8 AU-PeEL eng AU-PeEL AU-PeEL eng 780 780.92 Sutcliffe, W. Dean Haydn Studies electronic resource] Cambridge Composer Studies Cambridge Cambridge University Press 1998 Cambridge Cambridge Cambridge University Press 1 online resource (359 p.) 1 online resource (359 p.) Text txt computer c online resource cr Cambridge Composer Studies Description based upon print version of record Cover; Half-title; Title; Copyright; Contents; Preface; Editor's note; 1 The consequences of presumed innocence: the nineteenth-century reception of Joseph Haydn; 1 The Haydn paradox: from engaged a.ection to distant respect; 2 The nineteenth-century consensus; 3 Four aspects of paradoxical innocence: Haydn's deification into irrelevance; Haydn as touchstone; Biographical assumptions; The demise of philosophical music; The ideology of connoisseurship and the need for a normative Classicism; 2 Haydn's sacred vocal music and the aesthetics of salvation; 1; 2; 3; 4; 5 3 Sentiment and sensibility in La vera costanza Haydn the dramatist?; Haydn's 'Pamela' and the cult of sensibility; Haydn's transformation of the sentimental heroine; The power of sensibility in the plot; Conclusion; 4 Haydn as Romantic: a chemical experiment with instrumental music; Body language; Life-force; Chemical analysis; Conscious life form; Artificial reality; Optimistic pessimism; 5 Haydn's 'Cours complet de la composition' and the Sturm und Drang; 6 Haydn's reversals: style change, gesture and the implication-realization model; 1 Stormy style shapes; 2 Galant schemata 7 Haydn's symphonies between Sturm und Drang and 'Classical style': art and entertainment1; 2; 3; 4; 5; 8 The Haydn piano trio: textual facts and textural principles; 9 Papa Doc's recap caper: Haydn and temporal dyslexia; 10 Haydn: the musicians'musician; Index This study contains essays by leading scholars on Franz Joseph Haydn English Composers -- Austria -- Correspondence Haydn, Joseph, 1732-1809 -- Correspondence Haydn, Joseph, 1732-1809 -- Criticism and interpretation Piano music -- Interpretation (Phrasing, dynamics, etc.). Electronic books Sutcliffe, W. Dean Contributor 0-521-58052-8 Cambridge Composer Studies